American essays -- 19th century; Short stories, American
It is the reward of virtue--_It is the smile of Heaven on men who are
too chivalric to puff tobacco-smoke in ladies’ faces which beautify and
brighten their streets_. They deserve it--they deserve their
lily-appareled wives and roly-poly, kissable, sensibly-dressed children.
They deserve to walk up those undefiled marble-steps, into their blessed
home sanctuaries, overshadowed by those grand, patriarchal trees. They
deserve that their bright-eyed sons should be educated in a noble
institution like “The Central High School,” where pure ventilation and
cheerfulness are considered of as much importance as mathematics, or
Greek and Latin. Where the placid brow and winning smile of the
Principal are more potent auxiliaries than ferules or frowns. Give me
the teacher on whose desk blooms the bouquet, culled by a loving pupil’s
fingers; whose eye, magnetic with kindness--whose voice, electric with
love for his calling, wakes up into untiring action all that is best and
noblest in the sympathetic, fresh young hearts before him. A _human_
teacher, who recognizes in every boy before him (be he poorly or richly
clad--be he glorious in form and face as a young Apollo, or cramped and
dwarfed into unshapeliness in the narrow cradle of poverty) an immortal
soul, clamorous with its craving needs, seeking the light, throwing out
its luxuriant tendrils for something strong and kindly to cling to,
longing for the upper air of expansion and strength. God bless the
_human_ teacher who recognizes, and _acts_ as if he recognized this!
Heaven multiply such schools as “The Philadelphia High School,” with its
efficient Principal, its able Professors and teachers, and its graduates
who number by scores the noble and honored of the land, and of the sea.
I love to linger in cemeteries. And so, in company with an editorial
friend, Colonel Fitzgerald, of the Philadelphia _City Item_, to whose
hospitality, with that of his lovely wife, I am much indebted, I
visited “Laurel Hill.” The group “Old Mortality” at its entrance needs
no praise of mine. The eye might linger long ere it wearied in gazing
at it. I like cemeteries, but I like not elaborate monuments, or
massive iron railings; a simple hedge--a simple head-stone (where the
tiny bird alights, ere, like the parting spirit, it plumes its wings
for a heavenward flight) for its inscription--the words to which
the universal heart has responded, and will respond till time
shall be no longer--till the graves give up their dead;
“Mother”--“Husband”--“Wife”--“Child”--what epitaph can improve this?
what language more eloquently measure the height and breadth, and length
and depth of sorrow?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account