Funny, isn’t it? Country ministers, with their wives and daughters, in the unhallowed precincts of an Opera House! I trust they crossed themselves on the threshold, by way of exorcising Beelzebub. Observe their furtive glances at the naked little dimplednesses perched upon yonder wooden pillars. How legibly is--Saints and angels! where are those children’s trowsers? written upon the elongated corners of their evangelical mouths. R-a-t-h-e-r different, I confess, from the Snagtown “meetin’-house,” with its slam-down seats, its swallow-nested roof, and its shirt-sleeved chorister; but, my strait-laced friends, if you strain at a harmless marble Cupid, how could you swallow an electric flesh-and-blood ballet-dancer? Such as we are wont to see in this house? I have tried to educate myself up to it, but may I be pinched this minute if I do not catch myself diligently perusing the play-bill, whenever they execute one of their astounding rotary _pas_. I can’t stand it; and yet my friends, at the risk of being excommunicated, allow me to say, that I would rather stand a ballet-dancer’s chance of getting to heaven, than that of many a vinegar-visaged saint of high repute in your churches. But this is a digression. Just see those women seating themselves _on the stage_. Saucy as I am, I could not do that; nor, if I did, would I put my feet upon the rounds of a chair in front of me--and the audience. How patriarchal Solon Robinson looks, with his clear, calm face, and his long, snow-white beard! He is quite a picture. What a pity he ever burned his fingers with “Hot Corn.” But let him throw the first stone who has never by one well-meant, but mistaken act of his life, called forth the regretful “what a pity!” The river which never overflows its banks may never devastate, nor--does it ever freshen the distant and arid Sahara. Many a poor man has blessed, and will bless, the name of Solon Robinson; and many a hard-toiling woman, too, whom he has instructed how to procure the most nutriment for her starving children from an old bone or a couple of onions. Let those who make wry mouths at “Hot Corn,” taste his “poor man’s soup,” and do justice to the active brain and philanthropic heart of its originator. I used to think the “New York Tribune,” of which Solon is agricultural editor, a great institution, until I discovered two things: first, the number of able, talented, practical men employed in its getting up; secondly, that a _bull’s head_ is kept constantly seething in the machine boiler to impart a wholesome ferocity to its paragraphs!