American essays -- 19th century; Short stories, American
“Kill time! You--a bridegroom of six months! Well, you can’t say you
weren’t warned. You remember I told you you would soon weary of your new
toy. A six-months’ bridegroom!” and Tom laughed merrily.
“Long enough to make love to a statue, were it ever so faultless,”
replied Tom, with a yawn. “I’m bored to death, Jack, and I don’t care
who knows it. My mother-in-law, who, to do her justice, is clever
enough, strolls over the house like a walking tomb-stone. My wife is as
lifeless as if half the women in town were not dying for me. It’s cursed
monotonous; hang me if I’m not sick of it.”
“Does your wife never speak to you?” asked Jack.
“Never,” said Tom; “there she sits in her chair, playing with her
fingers, or else at the window, looking this way, and that, as if she
were expecting somebody; when she does so, it seems to worry the old
lady, who looks nervously at me, and tries to coax her away--the Lord
only knows why; and two or three times I have seen her coax away a faded
flower that Mary has a fancy for holding between her fingers. It’s all
Greek to me. Confound it, I feel as if I were in a nest of lunatics. It
makes me as nervous as the devil. Come, let’s be off. What has become of
Susy, the little ballet-girl? Did she take my marriage to heart?”
“Not she, the delicious little monkey; she tossed her pretty head, and
said with an arch smile: ‘Mark what I say: he’ll be back to me in six
months.’”
“Pretty prophet!” replied Tom.
The two young men locked arms and sauntered down the crowded street,
whiffing their cigars; now attracted by some brilliant shop-window, now
bandying jests with those miserable women, who, but for just such as
they, might have lifted their womanly brows to the starry sky--pure as
when first kissed by a mother’s loving lips. Pale seamstresses glided
by, unguarded, save by Him who noticeth the sparrow’s fall. Young men of
their own age, weary of the slowly accumulating gains of honest toil,
looked enviously upon their delicately kidded hands, fine apparel, and
care-for-naught air. Passing, at length, the long line of carriages in
front of the opera house, they disappeared under the lighted vestibule,
and took possession of one of the boxes.
Public-domain text, read in full here on John Shaqi.
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