Fresh light from the ancient monuments : $b A sketch of the most striking confirmations of the Bible, from recent discoveries in Egypt, Palestine, Assyria, Babylonia, Asia MinorSayce, A. H. (Archibald Henry)
History
Fresh light from the ancient monuments : $b A sketch of the most striking confirmations of the Bible, from recent discoveries in Egypt, Palestine, Assyria, Babylonia, Asia Minor
In Nidinta-Bel the line of independent Babylonian kings may be regarded as
having come to an end, since the leader of the second revolt was not a
native, but an Armenian settler. To him, therefore, we may apply the
magnificent description of the death of the last Babylonian monarch on the
battle-field, and his descent into the under-world, which we read in
Isaiah xiv. Illustrations have been taken by the prophet from Babylonian
mythology, in order to heighten the horror of the scene. The king of
Babylonia is compared to the morning star, whose movements the Babylonians
had been the first of mankind to record. He is represented as saying in
his heart, “I will ascend into heaven, I will exalt my throne above the
(other) stars of God: I will sit also upon the mount of the assembly (of
the gods) in the furthest regions of the north.” This mount, as we have
seen in an earlier chapter, was the Olympos of the Accadians, by whom it
was called Kharsak-kurra “the mountain of the east.” Its peak was the
pivot on which the sky rested, and it was therefore also known as “the
mountain of the world.” It lay far away in the regions of the north-east,
the entrance, as it was supposed, to the lower world, and it was sometimes
identified with the mountain of Nizir, the modern Rowandiz, on whose
summit the ark of the Chaldean Noah was believed to have rested. From the
heights of this mountain, where he had vainly dreamed of sitting among the
gods, the Babylonian king was to be hurled into the world below. Here
again the prophet borrows his illustration from the mythology of Accad.
The heroes of the past are placed before us seated in Hades on their
shadowy thrones, from which they rise to greet the arrival of their new
comrade.
The best commentary on the description is to be found in the words of an
old Babylonian poem, which tells of the descent of the goddess Istar into
Hades, in search of her dead husband Tammuz. The poem opens as follows:—
“To Hades, the land whence none return, the land of darkness,
Istar the daughter of the Moon-god inclined her ear,
Yea, the daughter of the Moon-god inclined her ear.
To the house of darkness, the dwelling of the god Irkalla,
To the house out of which there is no exit,
To the road from which there is no return,
To the house from whose entrance the light is taken,
The place where dust is their nourishment, and mud their food;
Light is never seen, in darkness they dwell.”
Parallel with this is the description of Hades, supposed to be given by
the dead friend of Gisdhubar, in the great Chaldean epic in which the
account of the deluge is embodied. Here we read—
Public-domain text, read in full here on John Shaqi.
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