Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'Rizal, José
History
Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
The demented woman stopped. The orderly muttered "Bah!" and exclaimed
"She knows how to patá Tagalog!" and stood looking at the señora full
of surprise.
The Muse understood that she had been caught, and was ashamed. As
her nature was not that of a woman, her shame took the form of rage
and hatred. She pointed out the door to the impudent orderly and with
a kick closed it behind him. She took several turns about the room,
twisting a whip between her nervous hands, and then, stopping suddenly
in front of the demented woman, said in Spanish: "Dance!"
The demented one did not move.
"Dance! Dance!" she repeated in a threatening voice.
The poor woman looked at the Señora, her eyes devoid of expression. The
alfereza raised one arm and then the other, shaking them in a
menacing way.
She then leaped up in the air, and jumped around urging the other woman
to imitate her. The band in the procession could be heard playing
a slow, majestic march, but the Señora, leaping about furiously
was keeping time to different music than that the band was playing,
that music which resounded within her. A curious look appeared in the
madwoman's eyes, and a weak smile moved her pale lips. She liked the
Señora's dancing.
The alfereza stopped dancing as if ashamed. She raised the whip,
that terrible whip made in Ulango and improved by the alferez by
winding wire around it, that same terrible whip which the ladrones
and soldiers knew so well.
"Now it is your turn to dance ... dance!"
And she began to whip lightly the demented woman's bare feet.
The pale face contracted with pain, and she was obliged to defend
herself from the blows by her hands.
"Come! Go ahead!" she exclaimed with savage delight, and she passed
from lento to allegro-vivace in the use of her whip.
The unhappy woman screamed and quickly raised her feet.
"You have got to dance, you d----d Indian!" exclaimed the Señora and
the whip whizzed and whistled.
The woman let herself sink to the floor and tried to cover her
legs with her hands, at the same time looking with wild eyes at her
tormentor. Two heavy lashes on her back made her rise again. Now it was
no longer a scream; it was a howl which escaped from the unfortunate
woman. The thin shirt was torn, the skin broke open and the blood
oozed out.
The sight of blood excites a tiger; so, too, the sight of the blood
of her victim infuriated Doña Consolacion.
"Dance! dance! Curse you! D----n you! Dance! Cursed be the mother
who bore you!" she cried. "Dance, or I'll kill you by whipping you
to death!"
Then the alfereza, taking the woman with one hand and whipping her
with another, began to jump and dance.
Public-domain text, read in full here on John Shaqi.
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