Ibsen and Nietzsche were both solitary, even if they were not at all careless as to the fate of their works. It is the strongest man, says Dr. Stockmann, who is most isolated. Who was most isolated, Ibsen or Nietzsche? Ibsen, who held back from every alliance with others, but exposed his work to the masses of the theatre-going public, or Nietzsche, who stood alone as a thinker but as a man continually--even if, as a rule, in vain--spied after the like-minded and after heralds, and whose works, in the time of his conscious life, remained unread by the great public, or in any case misunderstood. Decision does not fall lightly to one who, by a whim of fate, was regarded by both as an ally. Still more difficult is the decision as to which of them has had the deepest effect on the contemporary mind and which will longest retain his fame. But this need not concern us. Wherever Nietzsche's teaching extends, and wherever his great and rare personality is mastered, its attraction and repulsion will alike be powerful; but everywhere it will contribute to the development and moulding of the individual personality. IV (1909) Since the publication of Nietzsche's collected works was completed, Frau Förster-Nietzsche has allowed the Insel-Verlag of Leipzig to issue, at a high price and for subscribers only, Friedrich Nietzsche's posthumous work _Ecce Homo_, which has been lying in manuscript for more than twenty years, and which she herself had formerly excluded from his works, considering that the German reading public was not ripe to receive it in the proper way--which we may doubtless interpret as a fear on her part that the attitude of the book towards Germanism and Christianity would raise a terrible outcry. Now that Nietzsche holds undisputed sway over German minds and exercises an immense influence in the rest of Europe and in America, it will certainly be read with emotion and discreetly criticised. It gives us an autobiography, written during Nietzsche's last productive months, almost immediately before the collapse of his powers, between October 15 and November 4, 1888; and in the course of this autobiography each of his books is briefly characterised. Here as elsewhere Nietzsche's thoughts are centred on the primary conceptions of ascent and descent, growth and decay. Bringing himself into relation with them, he finds that, as the victim of stubborn illness and chronically recurring pain, he is a decadent; but at the same time, as one who in his inmost self is unaffected by his illness, nay, whose strength and fulness of life even increase during its attacks, he is the very reverse of a decadent, a being who is in process of raising himself to a higher form of life. He once more emphasises the fact that the years in which his vitality was lowest were just those in which he threw off all melancholy and recovered his joy in life, his enthusiasm for life, since he had a keen sense that a sick man has no right to pessimism.