And now another pallid, quivering object, leaning upon the arm of friend
or relative. He can hardly walk, and must be suffering from some severe
internal disease; but he has been by three times, and though his hand
grasps the order for admission, he dares not enter, but muttering "Not
yet, not yet," draws his companion away, and totters on until he is fain
to rest upon a step. But who can wonder that he should flinch and
shrink back when the dread moment arrives? How many who enter the
hospital feel that for them there is written above the portal, "Who
enter here leave hope behind?" The great gloomy building has by them
been considered as a forlorn hope to try when every other means has
failed; and with shattered nerves, and mind and body worn by disease,
they may well shudder and turn from the building, when the robust in
health could hardly enter such an abode of pain and sorrow without a
clutching at the heart. And then, too, who is he that seeks a home
within the English Maison Dieu but the poor man, perhaps the bread
winner of a large family? and he enters, perhaps, with the knowledge
that while he is battling with disease those at home are fighting
against the wolf poverty, who has lain down at their door.
But the poor fellow has nerved himself at last, and slowly crawls up the
steps, takes one glance round as his fellow-sufferer did some quarter of
an hour ago, and the portal has closed upon him.
Next comes the rattling of wheels, and a cab turns the corner at as near
an approach to a gallop as the shambling horse can manage. Emergency
here; and as the cab dashes up, a man springs off the box, and runs up
the steps; and then come the porters with their chair to lift out of the
vehicle, a groaning mass of charred humanity, wrapped in a blanket, and
whose cries on being touched thrill through one's very marrow, till the
door swings to once more.
Again a cab driven up, with this time a policeman on the box, to jump
down and fetch out those iron-nerved men whose aid is so frequently
sought.
No brand from the burning this time; but another one fallen in the fight
with poverty--another wounded--no! hush! they say he is slain, and
hesitate before lifting the nerveless, flaccid, collapsing form into the
chair.
But he is carried in, and I follow to know the truth and learn it in a
few minutes; for the poor fellow, a painter, has fallen from an upper
window, with a fearful crash, upon the cruel spikes of the area
railings, from which, the newspapers tell us next day, with hideous
perspicuity, "he was lifted with great difficulty the spikes having
entered his body."
Public-domain text, read in full here on John Shaqi.
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