City and town life -- Fiction; Romance fiction, American; Short stories, American
At that she would have Bless-your-Heart in her arms, and there was some
argument arising from her intention to take the kitten in one hand all
the way through her nightgown sleeve. And by this time sleepyhood tears
were near.
"_Don't_ curl your toes under so," said Miggy, struggling with a shoe.
"Peter, do go on. You'll never have it done."
Whereat Peter flapped the quilt again; and--
"I will curl my toes up. That's what I want to do. I _want_ to curl 'em
up!" said Little Child. And now the sleepyhood tears were very near.
"Goodness," said Miggy, suddenly, "to-morrow is Sunday. I'll have to do
her hair up for curls. Peter!" she cried, "stop waving that quilt, and
tear me off a strip of that white lining there."
"Yes, _I'll_ have curls," said Little Child, unexpectedly, "because that
is so becunning to me."
But she was very sleepy, and when Peter had been sent for the brush from
the kitchen shelf, her head was on Miggy's shoulder, and Miggy looked at
Peter helplessly.
"Give her to me," said Peter, and took the child and laid the kitten at
large upon the floor; and then, holding Little Child's head in the
hollow of his arm, he sat down before Miggy, leaning toward her, and
all the child's soft brown hair lay on his sleeve.
I should have liked to watch them then. And I should have liked Calliope
and Mis' Toplady and my neighbour to see them--those three who of all
the village best understood mystery. I know that Peter did not take his
eyes from Miggy's face as she brushed and wound the curls. How could
he?--and Miggy, "sweet as boughs of May" in that white frock, her look
all motherly intent upon her task. She was very deft, and she had that
fine mother-manner of caring for the child with her whole hand instead
of tipsifingers. I would see a woman infinitely delicate in the touching
of flowers or tea-cups or needlework, but when she is near a child, I
want her to have more than delicacy. I was amazed at Miggy's gentleness
and her pretty air of accustomedness. And when Little Child stirred,
Miggy went off into some improvised song about a little black dog that
got struck with a wagon and went Ki--yi--ki--yi--_ad infinitum_, and
Miggy seemed to me to have quite the technical mother-air of tender
abstraction.
"How dark her hair is growing," she said.
"It's just the colour of yours," said Peter, "and the little curls on
the edges. They're like yours, too."
"My hair!" Miggy said deprecatingly. "You've got rather nice hair,
Peter, if _only_ it wouldn't stick up that way at the back."
"I know it sticks up," Peter said contritely. "I do every way to make it
stay down. But it won't."
"It makes you look funny," observed Miggy, frankly.
"Well," he told her, "if you wouldn't ever make me go 'way from you, you
wouldn't ever need to see the back of my head."
"That would be just what would turn your head," she put it positively.
"Peter, doesn't your arm ache, holding her so?"
Public-domain text, read in full here on John Shaqi.
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