City and town life -- Fiction; Romance fiction, American; Short stories, American
There was a panting sweep and scurry for the edges of the room, as
instantly a gong on the wall sounded with the alarm, and the two big
sliding doors went back, scattering like feathers the innumerable
Javanese trifles that had been tacked there. Forward, down the rug-hung
vista, plunged the two big horses of the department. We saw the Java
tea-table borne to earth, the Javanese exhibits adorning outlying
counters swept away, and all the "decoration probabilities" vanish in
savage wreck. Then the quaintly picturesque harnesses fell to the
horses' necks, their hoofs trampled terrifyingly on the loose boards of
the floor, and forth from the yawning doors the horses pounded, dragging
the _pièce de résistance_, with garlands on its sides, the pink zouave
cushion crushed beneath it, and the flag of the Netherlands streaming
from the stack. Horses rushed thither in competition, came thundering at
the doors, and galloped to place before the two carts. I think not a
full minute can have been consumed. But the ruin of the Java
entertainment committee's work was unbelievably complete. Though there
had been not a fire in Friendship Village in two years, that night, of
all nights, Jimmy Sturgis's "hay-barn," for the omnibus horses, "took it
on itself," it was said, "to go to work an' burn up." And Jimmy's barn
is outside the city limits, so that the _pièce de résistance_ had to be
used. And Jimmy is in the fire-department, so that the company galloped
informally to the rescue without the benefit of the mayor's authority.
As the last of the department disappeared, and the women of the
committee stood looking at one another--tired with the deadly tiredness
of a day such as theirs--a little blue linen figure sprang upon a chair
and clasped her hands behind her, and a blue ostrich feather lifted and
dipped as she spoke.
"Quickly!" Mrs. Oliver Wheeler Johnson cried. "All hands at work now!
Mrs. Sykes, will you set up the tea-table? You can get more dishes from
my house. Mrs. Toplady, this booth, please. You can make it right in no
time. Mrs. Holcomb, you will have to do your booth entirely over--you
can get some things from my house. Miss Marsh--ah, Calliope Marsh, you
must go to my house for my lace curtains--"
She smiled ingratiatingly and surely arbitrarily, for we all knew full
well that there was absolutely nothing to smile at. And with that
Calliope's indignation, as she afterward said, "kind of crystallized and
boiled over." I remember how she stood, hugging her thin little arms and
speaking her defiance.
"I donno how you feel, Mis' Johnson," she said dryly, "but, _my_ idea,
Bedlam let loose ain't near quaint enough for a Java entertainment. Nor
I don't think it's what you might say real Java, either. Things here
looks to me too flexible. I'm goin' home an' go to bed."
Public-domain text, read in full here on John Shaqi.
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