Froebel as a pioneer in modern psychologyMurray, E. R. (Elsie Riach)
Science
Froebel as a pioneer in modern psychology
Murray, E. R. (Elsie Riach)
Fröbel, Friedrich, 1782-1852; Psychology
“The hints that are here given suffice to show that the
knowledge forms are adapted to children of three and four years
of age, and that they incite plays which are both spontaneous
and nourishing to heart and intellect.… These few indications
for the use of these forms must suffice; they already show
sufficiently clearly that the observation and comprehension
of them are perfectly suited to the active, intellectual and
emotional sides of children three and four years of age,
and to actual free play which strengthens intellect and
feeling.”--_P., p. 185._
Now the “hints” refer to making clear to the child, always in justice, be
it remembered, in the concrete, “as perceptible facts only,” such points
as “similarity of size with dissimilarity of shape and position, in such
words as:
“Twice as long and half as wide,
Half as long and twice as wide,
The same size are we two.”
Certainly children differ very much, and some have a special aptitude for
mathematical relations, but to most children under five these words would
convey nothing. _Half_ may have a meaning, though at that age and for
some time after we hear of “a fair half” and “quarter” is generally used
as a name for any fraction recognized as not a half, even if it should
be greater. Such words as _fourth_ and _eighth_ can have no meaning for
a child who shows no consciousness of difference when shown six, seven
or eight objects. At the age of three, an average child recognizes three
objects, but when a fourth is added, he proceeds to count one by one, he
does not recognize three plus one.
Again, we must repeat that Froebel never intended any mathematical ideas
to be forced upon unwilling children. He constantly tells the mother not
to force, and he frequently speaks of the child’s “accidental productions
which will become a point of departure for his self-development,” through
the explanatory rhymes, to be sung by the mother in order to call the
child’s attention to the results of his own action. It is true, too, that
it is in connection with this kind of work, or play, that Froebel writes
of “the knowledge-acquiring side of the game, which is the quickly tiring
side.”
Public-domain text, read in full here on John Shaqi.
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