United States -- Social life and customs -- 20th century -- Fiction
In Gale Sheldon's big, still room, crowded with the friendly ghosts of
mighty books, a clear fire was burning. One shaded lamp at the desk was
turned on, for though it was afternoon the blizzard cast a gloom like
dusk. The Little Red Doctor retired to a far corner where he was all but
merged in the shadows.
"Have you seen this?" Sheldon asked me, pointing to the table.
Thereon was spread strange literature for the scholarly taste of our
local book-worm, a section from the most sensational of New York's
Sunday newspapers. From the front page, surrounded by a barbarous
conglomeration of headlines and uproarious type, there smiled happily
forth a face of such appealing loveliness as no journalistic vulgarity
could taint or profane. I recognized it at once, as any one must have
done who had ever seen the unforgettable original. It was Virginia
Kingsley, who, two years before, had been Sheldon's assistant. The
picture was labeled, "Death Ends Wanderlust of Mysterious Heiress," and
the article was couched in a like style of curiosity-piquing
sensationalism. Stripped of its fulsome verbiage, it told of the girl's
recent death in Italy, after traveling about Europe with an invalid
sister; during which progress, the article gloated, she was "vainly
wooed by the Old World's proudest nobility for her beauty and wealth,"
the latter having been unexpectedly left her by an aged relative. Her
inexorable refusals were set down, by the romantic journalist, as due to
some secret and prior attachment. (He termed it an "affair de court"!)
Out of the welter of words there stood forth one sentence to tempt the
imagination: "She met death as a tryst." For that brief flash the
reporter had been lifted out of his bathos and tawdriness into a clearer
element. One could well believe that she had "met death as a tryst." For
if ever I have beheld unfaltering hope and unflagging courage glorified
and spiritualized into unearthly beauty, it was there in that pictured
face, fixed by the imperishable magic of the camera.
"No; I hadn't seen it," I said after reading. "Is it true?"
"In part." Then, after a pause, "You knew her, didn't you, Dominie?"
"Only by sight. She had special charge of the poetry alcove, hadn't
she?"
"Yes. She belonged there of right. She was the soul and fragrance of all
that the singers of springtime and youth have sung." He sighed, shaking
his grizzled head mournfully. "'And all that glory now lies dimmed in
death.' It doesn't seem believable."
He rose and went to the window. Through the whorls of snow could be
vaguely seen the outlines of the Worth house, looming on its corner. He
stared at it musing.
"I've often wondered if she cared for him," he murmured.
"For him? For Worth!" I exclaimed in amazement. "Were they friends?"
"Hardly more than acquaintances, I thought. But she left very strangely
the day of his death and never came back."
From the physician's corner there came an indeterminate grunt.
Public-domain text, read in full here on John Shaqi.
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