United States -- Social life and customs -- 20th century -- Fiction
Sunday night came, and with it Miss Marie Courtenay, escorted by an
"ace" covered with decorations, whose name is a household word and who
was only too obviously her adoring slave. Already there had been hints
of their engagement. Had I been that ace, I should have felt no small
discomposure at the sight of the girl's face when she first saw the
changed and matured Weeping Scion of three years before. After the first
flash of recognition she had developed on that expressive face of hers a
look of wonder and almost pathetic questioning, and, I thought, who knew
and loved the child, already something deeper and sweeter. Young David,
after greeting the star of the evening, took a modest rear seat as
befitted his rank. But when the Bonnie Lassie announced "Doggy," it was
his face that was the study.
Of that performance I shall say nothing. It is now famous and familiar
to thousands of theater-goers. But if ever mortal man spent twenty
minutes in fairyland, it was David, while Mary was playing the work of
his fancy. At the close, he disappeared. I suppose he did not dare trust
himself to join in the congratulations with which she was overwhelmed. I
found him, as I rather expected, on the bench where he had sat when
Mayme McCartney first found him. And when the crowd had departed from
the studio, I told the girl. Without even stopping to put on her hat she
went out to him.
He was sitting with his elbows on his knees and his fists supporting his
cheekbones. But this time he was not weeping. He was thinking. Just as
of old she put a hand on his humped shoulder. Startled, he looked up,
and jumped to his feet. She was holding something out to him.
"What's that?" he said.
"A check. For what I owe you."
"Who told you? The Little Red Doctor promised--"
"He's kept his promise. The Dominie told me."
"Oh! I suppose," he said slowly, "I've got to take this. You
wouldn't--no, of course you wouldn't," he sighed.
"I've tried to keep strict account," she said.
David adopted a matter-of-fact tone. "I can't deny that it'll come in
handy, just now," he remarked. "At the present price of clothing, and
with my personal exchequer in its depleted state--"
"Why," she broke in, "has anything happened? Your mother--?"
"Cut off," said David briefly.
"She's cut you off? On my account? Oh--"
"No. I've cut her off. Temporarily. She doesn't want me to work. I'm
working. On a newspaper."
"That's good," said the girl warmly. "Let's sit down."
They sat down. Each, however, found it curiously hard to begin again.
Mary was aching to thank him, but had a dreadful fear that if she tried
to, she would cry. She didn't want to cry. She had a feeling that crying
would be a highly unstrategic procedure leading to possible alarming
developments. Why didn't David say something? Finally he did make a
beginning.
"Mayme."
"No: not 'Mayme' any more."
He flushed to his temples. "I beg your pardon, Miss Courtenay."
Public-domain text, read in full here on John Shaqi.
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