Some of these good folk, for example, play the piano more sedulously than that instrument, in my opinion, deserves; yet are mightily indignant, in talk with me, at what they call the wickedness of teaching multitudes of poor children to play upon pianos provided by the rates. As a historical fact, very few poor children play or have ever played on pianos provided by the rates. But I prefer, passing this correction over, to point out to my indignant friends that the upper and middle classes in England are ceasing to breed, and that therefore, unless the Anglo-Saxon race is to lose one of its most cherished accomplishments--unless we are content to live and see our national music ultimately confined to the jews' harp and penny whistle--we must endow the children of the poor with pianos--or perhaps as 'labour certificates' abbreviate the years at our disposal for instruction, with pianolas, and so realise the American sculptor's grand allegorical conception of 'Freedom presenting a Pianola to Fisheries and the Fine Arts.' To drop irony--and indeed I would expel it, if I could, once and for all from these pages--I like recreation as much as most men, and have grown to find it in the dull but deeply absorbing business of sitting on Education Committees. Some fifteen years ago, in the first story in my first book of short stories, I confessed to being haunted by a dreadful sound: 'the footfall of a multitude more terrible than an army with banners, the ceaseless pelting feet of children--of Whittingtons turning and turning again.' Well, I still hear that footfall: but it has become less terrible to me, though not one whit less insistent: and it began to grow less terrible from the hour I picked up and read a certain little book, _The Invisible Playmate_, to the author of which (Mr. William Canton) I desire here to tender my thanks. In a little chapter of that little book Mr. Canton tells of an imaginary poem written by an imaginary Arm. (Arminius?), Altegans, an elderly German cobbler of 'the village of Wieheisstes, in the pleasant crag-and-fir region of Schlaraffenland.' Its name is the 'Erster Schulgang,' and I will own, and gratefully, that few real poems by real 'classics' have so sung themselves into my ears, or so shamed the dulness out of drudgery, as have the passages which I here set down for the mere pleasure of transcribing them:--