There was a pond belonging to the farm, full of fat carp and slim water-snakes; there was also a kennel at the entrance; there were white gates at the end of the avenue, and at the garden walks, and in every place where they could possibly have a gate. There were big lofts with dark lumber-rooms, where old-fashioned uniforms and ladies' head-gear a hundred years old were stored away; there were large chests full of silk gowns and bridal finery; there were old pianos and violins, guitars and bassoons. In bureaus and cabinets were manuscript songs and old yellow letters; on the walls of the entrance-hall hung guns, pistols and hunting-bags; on the floor were rugs, in which patches of old silken gowns were woven together with pieces of threadbare cotton curtains. There was a large porch, where the deadly nightshade summer after summer grew up a thin trelliswork; there were large, yellow front-doors, which were fastened with bolts and catches; the hall was strewn with sprigs of juniper, and the windows had small panes and heavy wooden shutters. One summer old Colonel Beerencreutz came on a visit to this house. It is supposed to have been the very year after he left Ekeby. At that time he had taken rooms at a farm at Svartsjö, and it was only on rare occasions that he went visiting. He still had his horse and gig, but he scarcely ever used them. He said that he had grown old in earnest now, and that home was the best place for old people. Beerencreutz was also loath to leave the work he had in hand. He was weaving rugs for his two rooms--large, many-coloured rugs in a rich and strangely-thought-out pattern. It took him an endless time, because he had his own way of weaving, for he used no loom, but stretched his wool from the one wall to the other right across the one room. He did this in order to see the whole rug at one time; but to cross the woof and afterwards bring the threads together to a firm web was no easy matter. And then there was the pattern, which he himself thought out, and the colours which should match. This took the Colonel more time than anyone would have imagined; for whilst Beerencreutz was busy getting the pattern right, and whilst he was working with warp and woof, he often sat and thought of God. Our Lord, he thought, was likewise sitting at a loom, still larger, and with an even more peculiar pattern to weave. And he knew that there must be both light and dark shades in that weaving. But Beerencreutz would at times sit and think so long about this, until he fancied he saw before him his own life and the life of the people whom he had known, and with whom he had lived, forming a small portion of God's great weaving; and he seemed to see that piece so distinctly that he could discern both outlines and colouring. And if one asked Beerencreutz what the pattern in his work really meant, he would be obliged to confess that it was the life of himself and his friends which