From Berlin to Bagdad and BabylonZahm, J. A. (John Augustine)
HistoryChristian
From Berlin to Bagdad and Babylon
Zahm, J. A. (John Augustine)
Middle East -- Civilization; Middle East -- Description and travel
I have spent many of the most peaceful and enjoyable days of my life.
I love its diaphanous skies, which are as limpid as the crystal heaven
of Eden. I love its dry, ethereal, stimulating atmosphere which exalts
the spirits, restores the zest of youth, intensifies the joy of living.
Often, while within its quiet confines, I have exclaimed with St.
Bernard and St. Jerome, _O sancta solituto!_ Then I realized, as
never before, its attraction for the hermits of the Thebaid and the
anchorets of the Syrian Chalcis.
It matters not that the desert is as monotonous as the ocean; that
its silence is broken only by the muffled footsteps of our even-paced
camels; that there is a total absence of life--there is not a beast or
bird or insect visible in the broad expanse; that on all sides one sees
nothing but sterility, desolation, and death.
This is all true--very true. But if the desert has the monotony of
the ocean, it also holds within its mysterious solitudes all the awe
and solemnity; all the grandeur and sublimity of the ocean. This
is particularly true at the magic hour of refulgent sunset. Then
its shifting sands and fantastically formed rocks--black asphalts,
brown sandstones, gray and rose granites which are massed like groups
of antediluvian monsters--are illumined by splendors of color and
phantasmagorias of light which transform the most ordinary landscape
into a veritable fairyland.
The flanks and crest of Jebel Sinjar, a picturesque mountain range on
our right, exhibit the same riot of color, the same marvelous contrasts
of light and shade. At the base there is the delicate violet of the
iris, at the summit the glowing red of the poppy, and above all is the
soft, turquoise blue of the deep, steady empyrean.
Then there appears the wonderful, mystic afterglow which completely
transfigures everything on mountain and plain, and lights up the
scene with a light that rarely shines in our cloudy, mist-enveloped
clime. In the clear western sky, the evening star hangs like a
solitaire. Presently there flash-out in rapid succession the stars and
constellations which, in the long ago, were the wonder and the delight
of the shepherds and the priest astronomers of Assyria and Chaldea.
Near our tent the camels, relieved of their burdens, are quietly
browsing on the scanty broom and brushwood which in these parts
constitute their chief sustenance. Their Bedouin masters, seated
in a circle, around an odorous camp fire, entertain one another by
recounting past experiences and adventures and by singing their
favorite songs, most of which are in a minor key and characterized by
the frequent occurrence of the terrible name of Allah, which gives to
their doleful chant a note of sadness that once heard one can never
forget. Amid such scenes of nomadic life, we welcome the hour of sweet
repose, when, beguiled by gentle dreams, we, like the lotus-eaters of
old, soon become quite unconscious of the fleeting passage of time and
of all the world beside.[316]
Public-domain text, read in full here on John Shaqi.
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