From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty AuthorsBeers, Henry A. (Henry Augustin)
History
From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty Authors
Beers, Henry A. (Henry Augustin)
English literature -- History and criticism
The central figure among the English men of letters of that generation
was Samuel Johnson (1709-1784), whose memory has been preserved less by
his own writings than by James Boswell's famous _Life of Johnson_,
published in 1791. Boswell was a Scotch laird and advocate, who first
met Johnson in London, when the latter was fifty-four years old. Boswell
was not a very wise or witty person, but he reverenced the worth and
intellect which shone through his subject's uncouth exterior. He
followed him about, note-book in hand, bore all his snubbings patiently,
and made the best biography ever written. It is related that the doctor
once said that if he thought Boswell meant to write his life, he should
prevent it by taking Boswell's. And yet Johnson's own writings and this
biography of him have changed places in relative importance so
completely that Carlyle predicted that the former would soon be reduced
to notes on the latter; and Macaulay said that the man who was known to
his contemporaries as a great writer was known to posterity as an
agreeable companion.
Johnson was one of those rugged, eccentric, self-developed characters so
common among the English. He was the son of a Lichfield book-seller, and
after a course at Oxford, which was cut short by poverty, and an
unsuccessful career as a school-master, he had come up to London, in
1737, where he supported himself for many years as a book-seller's hack.
Gradually his great learning and abilities, his ready social wit and
powers as a talker, caused his company to be sought at the tables of
those whom he called "the great." He was a clubbable man, and he drew
about him at the tavern a group of the most distinguished intellects of
the time: Edmund Burke, the orator and statesman; Oliver Goldsmith, Sir
Joshua Reynolds, the portrait painter, and David Garrick, the great
actor, who had been a pupil in Johnson's school, near Lichfield. Johnson
was the typical John Bull of the last century. His oddities, virtues,
and prejudices were thoroughly English. He hated Frenchmen, Scotchmen,
and Americans, and had a cockneyish attachment to London. He was a high
Tory, and an orthodox churchman; he loved a lord in the abstract, and
yet he asserted a sturdy independence against any lord in particular. He
was deeply religious, but had an abiding fear of death. He was burly in
person, and slovenly in dress, his shirt-frill always covered with
snuff. He was a great diner out, an inordinate tea-drinker, and a
voracious and untidy feeder. An inherited scrofula, which often took the
form of hypochondria and threatened to affect his brain, deprived him of
control over the muscles of his face. Boswell describes how his
features worked, how he snorted, grunted, whistled, and rolled about in
his chair when getting ready to speak. He records his minutest traits,
such as his habit of pocketing the orange peels at the club, and his
superstitious way of touching all the posts between his house and the
Public-domain text, read in full here on John Shaqi.
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