From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty AuthorsBeers, Henry A. (Henry Augustin)
History
From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty Authors
Beers, Henry A. (Henry Augustin)
English literature -- History and criticism
There is nothing that of late years has afforded matter of greater
amusement to the town than Signor Nicolini's combat with a lion in the
Haymarket, which has been very often exhibited to the general
satisfaction of most of the nobility and gentry in the kingdom of Great
Britain....But before I communicate my discoveries I must acquaint the
reader that upon my walking behind the scenes last winter, as I was
thinking on something else, I accidentally jostled against a monstrous
animal that extremely startled me, and, upon my nearer survey of it,
appeared to be a lion rampant. The lion, seeing me very much surprised,
told me in a gentle voice that I might come by him if I pleased; "for,"
says he, "I do not intend to hurt any body." I thanked him very kindly
and passed by him, and in a little time after saw him leap upon the
stage and act his part with very great applause. It has been observed by
several that the lion has changed his manner of acting twice or thrice
since his first appearance, which will not seem strange when I acquaint
the reader that the lion has been changed upon the audience three
several times.
The first lion was a candle-snuffer, who, being a fellow of a testy,
choleric temper, overdid his part, and would not suffer himself to be
killed so easily as he ought to have done; besides, it was observed of
him that he grew more surly every time he came out of the lion; and
having dropt some words in ordinary conversation, as if he had not
fought his best, and that he suffered himself to be thrown upon his back
in the scuffle, and that he would wrestle with Mr. Nicolini for what he
pleased, out of his lion's skin, it was thought proper to discard him;
and it is verily believed to this day that had he been brought upon the
stage another time he would certainly have done mischief. Besides, it
was objected against the first lion that he reared himself so high upon
his hinder paws, and walked in so erect a position, that he looked more
like an old man than a lion.
The second lion was a tailor by trade, who belonged to the playhouse,
and had the character of a mild and peaceful man in his profession. If
the former was too furious, this was too sheepish, for his part;
inasmuch that, after a short, modest walk upon the stage, he would fall
at the first touch of 'Hydaspes'[147] without grappling with him and
giving him an opportunity of showing his variety of Italian trips; it is
said, indeed, that he once gave him a rip in his flesh-colored doublet;
but this was only to make work for himself in his private character of a
tailor. I must not omit that it was this second lion who treated me with
so much humanity behind the scenes.
Public-domain text, read in full here on John Shaqi.
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