From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty AuthorsBeers, Henry A. (Henry Augustin)
History
From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty Authors
Beers, Henry A. (Henry Augustin)
English literature -- History and criticism
But here my muse her wing maun cower;
Sic flights are far beyond her power;
To sing how Nannie lap and flang[167]
(A souple jade she was, and strang),
And how Tam stood like are bewitched,
And thought his very e'en enriched.
Even Satan glowered and fidged fu' fain,[168]
And hotch'd[169] and blew wi' might and main;
Till first ae caper, syne[170] anither,
Tam tint[171] his reason a' thegither,
And roars out, "Weel done, Cutty-sark!"
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.
As bees bizz out wi' angry fyke,[172]
When plundering herds assail their byke;[173]
As open pussie's mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd
When "Catch the thief!" resounds aloud.
So Maggie runs, the witches follow
Wi' monie an eldritch skreech and hollow,
Ah, Tam! ah, Tam! thou'll get thy fairin'![174]
In hell they'll roast thee like a herrin'!
In vain thy Kate awaits thy comin':
Kate soon will be a woefu' woman.
Now do thy speedy utmost Meg,
And win the key-stane of the brig;[175]
There at them thou thy tail may toss,
A running stream they dare na cross,
But ere the key-stane she could make,
The fient[176] a tale she had to shake,
For Nannie, far before the rest,
Hard upon noble Maggie pressed,
And flew at Tam wi' furious ettle;[177]
But little wist she Maggie's mettle--
Ae spring brought aff her master hale,[178]
But left behind her ain gray tail;
The carlin[179] claught[180] her by the rump,
And left poor Maggie scarce a stump.
[Footnote 150: Peddler fellows.]
[Footnote 151: Thirsty.]
[Footnote 152: Road home.]
[Footnote 153: Ale.]
[Footnote 154: Full.]
[Footnote 155: Uncommonly.]
[Footnote 156: Swamps.]
[Footnote 157: Gaps in a hedge.]
[Footnote 158: One.]
[Footnote 159: Good-for-nothing.]
[Footnote 160: Babbling.]
[Footnote 161: Gossip.]
[Footnote 162: Every time corn was sent to the mill.]
[Footnote 163: Driven.]
[Footnote 164: Makes me weep.]
[Footnote 165: Must.]
[Footnote 166: Such.]
[Footnote 167: Leaped and flung.]
[Footnote 168: Stared and fidgeted with eagerness.]
[Footnote 169: Hitched about.]
[Footnote 170: Then.]
[Footnote 171: Lost.]
[Footnote 172: Fuss.]
[Footnote 173: Hive.]
[Footnote 174: Deserts.]
[Footnote 175: Bridge.]
[Footnote 176: Devil.]
[Footnote 177: Aim.]
[Footnote 178: Whole.]
[Footnote 179: Hag.]
[Footnote 180: Caught.]
JOHN ANDERSON.
John Anderson, my jo,[181] John,
When we were first acquent,
Your locks were like the raven,
Your bonnie brow was brent;[182]
But now your brow is beld, John,
Your locks are like the snow;
But blessings on your frosty pow,
John Anderson, my jo.
Public-domain text, read in full here on John Shaqi.
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