From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty AuthorsBeers, Henry A. (Henry Augustin)
History
From Chaucer to Tennyson: With Twenty-Nine Portraits and Selections from Thirty Authors
Beers, Henry A. (Henry Augustin)
English literature -- History and criticism
Court and society, in the reign of Charles II. and James II., were
shockingly dissolute, and in literature, as in life, the reaction
against Puritanism went to great extremes. The social life of the time
is faithfully reflected in the diary of Samuel Pepys. He was a
simple-minded man, the son of a London tailor, and became, himself,
secretary to the admiralty. His diary was kept in cipher, and published
only in 1825. Being written for his own eye, it is singularly outspoken;
and its _naive_, gossipy, confidential tone makes it a most diverting
book, as it is, historically, a most valuable one.
Perhaps the most popular book of its time was Samuel Butler's _Hudibras_
(1663-1664), a burlesque romance in ridicule of the Puritans. The king
carried a copy of it in his pocket, and Pepys testifies that it was
quoted and praised on all sides. Ridicule of the Puritans was nothing
new. Zeal-of-the-land Busy, in Ben Jonson's _Bartholomew Fair_, is an
early instance of the kind. There was nothing laughable about the
earnestness of men like Cromwell, Milton, Algernon Sidney, and Sir Henry
Vane. But even the French Revolution had its humors; and as the English
Puritan Revolution gathered head and the extremer sectaries pressed to
the front--Quakers, New Lights, Fifth Monarchy Men, Ranters, etc.,--its
grotesque sides came uppermost. Butler's hero is a Presbyterian justice
of the peace who sallies forth with his secretary, Ralpho--an
Independent and Anabaptist-like Don Quixote with Sancho Panza, to
suppress May games and bear-baitings. (Macaulay, it will be remembered,
said that the Puritans disapproved of bear-baiting, not because it gave
pain to the bear, but because it gave pleasure to the spectators.) The
humor of _Hudibras_ is not of the finest. The knight and the squire are
discomfited in broadly comic adventures, hardly removed from the rough
physical drolleries of a pantomime or circus. The deep heart-laughter of
Cervantes, the pathos on which his humor rests, is, of course, not to be
looked for in Butler. But he had wit of a sharp, logical kind, and his
style surprises with all manner of verbal antics. He is almost as great
a phrase-master as Pope, though in a coarser kind. His verse is a smart
doggerel, and his poem has furnished many stock sayings, as for example,
'Tis strange what difference there can be
'Twixt tweedle-dum and tweedle-dee.
_Hudibras_ has had many imitators, not the least successful of whom was
the American John Trumbull, in his revolutionary satire, _M'Fingal_,
some couplets of which are generally quoted as Butler's, as, for
example,
No man e'er felt the halter draw
With good opinion of the law.
Public-domain text, read in full here on John Shaqi.
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