From Gretna Green to Land's End: A Literary Journey in England.Bates, Katharine Lee
General
From Gretna Green to Land's End: A Literary Journey in England.
Bates, Katharine Lee
England -- Description and travel
All the while successive bands--the Shropshire Imperial Yeomanry, His
Majesty's Coldstream Guards, and His Majesty's Scots Guards--were
merrily playing away, and presently the clamorous ringing of what
might have been a sturdy dinner-bell called us to the Acrobatic Stand,
about which the crowd soon became so dense, while the somersault
artists converted their bodies into giddy playthings, that one rustic
philosopher was heard to remark: "Well, we ain't seeing owt, but we're
in t' show." Then came the horse-leaping, which was such a favourite
feature that not even the miraculous performances of the King of the
High Wire, and the ether-dancing feats of the Cee Mee Troupe availed
to divide the multitude. When Rufus, to the deep but decorous delight
of the Cheshire visitors, had outleaped all the rest, we swarmed
across the Quarry and sat down on the grass to wait for the ascent of
the monster balloons, those gigantic golden-brown puffs of gas that
had been softly tugging at their bonds all the morning. The Shrewsbury
had already made a number of captive ascents and finally achieved its
"right away" in good order, rising majestically into the upper air
until it hung like an orange on our furthest reach of vision, but the
wayward Wulfruna broke her ropes on a captive trip and feloniously
made off with several astonished passengers, among whose vanishing
heads peered out the scared, ecstatic face of a small boy.
As dusk grew on, our ever-greatening host still comported itself with
well-bred English quietude. We never forgot what was due to the
presence of the county families. Even the lads in Eton jackets tripped
one another up softly and engagingly. Bath chairs and baby wagons
traversed the thick of the press. The King of the High Wire, who
seemed to be made of air and india-rubber, appeared again and
performed such impossible antics on his dizzy line that the setting
sun rested its chin on the horizon to stare at him, and from a slit in
the gaudy trapeze tent half-chalked visages peered out and paid him
the professional tribute of envy. The tumblers tumbled more incredibly
than before. The Handcuff King shuffled off one mortal coil after
another. The Lady Cyclists cycled in an extremely unladylike
manner,--a performance punctuated by the impatient yelping of little
dogs beneath the stage, eager to show off their own accomplishments.
On they came at last, bounding, barking, wagging, tumultuous, all
striving to take part in every trick. They quite refused to stop when
their respective turns were over, but went on all together excitedly
jumping rope and hitting ball long after ropes and balls had
disappeared, until they were unceremoniously picked up and bundled
down a trap-door, an exit of wagging tail-tips.
Public-domain text, read in full here on John Shaqi.
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