Of the secular buildings in Exeter, we visited the fine-fronted guildhall in High Street and Mol's Coffee House in the Cathedral Yard. The custodian of the guildhall proudly pointed out the beauties of its fifteenth-century carvings, and hospitably invited us to try on the gorgeous robes of the civic dignitaries and sit in their great chairs of fretted oak, but we contented ourselves with viewing the various treasures of the old burgh on exhibition there,--gold chains of office, silver salvers and loving-cups, a huge, two-handed sword that long since drank its last draught of blood in the fierce grip of Edward IV, a portrait of the Stuart princess who, when Charles I and Queen Henrietta were in sore straits, had been born and sheltered at Exeter, and many another memento of an eventful and honourable past. We went away rapt in visions of those blithe Midsummer Eves when all the Exeter guilds, preceded by a mounted band consisting of Mayor and Alderman and Council, made the circuit of the city walls, the image of St. Peter borne before the Fishmongers, that of St. Luke before the Painters, and every other trade in like manner preceded by its especial patron saint; but Mol's Coffee House called up a later picture of "Sir Francis Drake, and Martin Frobisher, John Hawkins, and your other English captains," who, with their Devonshire countrymen, Sir Humphrey Gilbert, Sir Richard Grenville, Sir Walter Raleigh, used to meet in the oak-panelled hall of this Tudor mansion for such high, adventurous talk as must have made the wine sparkle in their cups. [Illustration: A DEVON COTTAGE] We were a little tired in Exeter, I remember, but instead of prying out from the west wall of the cathedral, as we would have done three hundred years ago, a bit of "Peter-stone" to cure our ailments, we took a blissful drive up the Exe,--such a trickle of a stream just then that only regard for the coachman's feelings restrained us from making fun of it,--through the tranquil beauty of Devonshire lanes, by thatched cottage and lordly park and one dreamy little church after another, each with its special feature of pinnacled tower, or Saxon font, or quaint old pew, or frieze of angel frescoes. We passed a modest almshouse, perhaps the bequest of husband and wife for the maintenance of four widows or two married couples. At all events, the inscription beneath a portrait head in relief ran: "Grudge not my laurell. Rather blesse that Power Which made the death of two The life of fowre."