From Grieg to Brahms: Studies of Some Modern Composers and Their ArtMason, Daniel Gregory
History
From Grieg to Brahms: Studies of Some Modern Composers and Their Art
Mason, Daniel Gregory
Composers -- Biography; Music -- 19th century -- History and criticism
[E] Since the present paper was written, the biography of Tschaïkowsky
by his brother has shown that in this unhappy marriage the only fault
we can attribute to the composer was a quixotic chivalry in marrying
a young woman who had declared her love for him. He married her from
sympathy without loving her. Of course such a step could lead to
nothing but misery; but however unwise, it was at least generous and
honorable.
[F] This lady, according to the new biography, was Frau von Meck, the
widow of a wealthy railway engineer. Her interest in Tschaïkowsky's
work, and her generous gifts of money, were of great value to him all
his life.
VII
JOHANNES BRAHMS
[Illustration: JOHANNES BRAHMS]
VII
JOHANNES BRAHMS
Of all the figures of modern music, brilliant and varied as they are,
impressing one with the many-sidedness and wide scope of the art,
there is perhaps only one, that of Johannes Brahms, which conveys the
sense of satisfying poise, self-control and sanity. Others excel him
in particular qualities. Grieg is more delicate and intimate, Dvořák
warmer and clearer in color; Saint-Saëns is more meteoric, Franck more
recondite and subtle, and Tschaïkowsky more impassioned; but Brahms
alone has Homeric simplicity, the primeval health of the well-balanced
man. He excels all his contemporaries in soundness and universality.
In an age when many people are uncertain of themselves and the world,
victims of a pervasive unrest and disappointment, it is solacing
to find so heroic and simple a soul, who finds life acceptable,
meets it genially, and utters his joy and his sorrow with the old
classic sincerity. He is not blighted by any of the myriad forms of
egotism,--by sentimentality, by the itch to be effective at all costs,
or to be «original,» or to be Byronic or romantic or unfathomable. He
has no «message» for an errant world; no anathema, either profoundly
gloomy or insolently clever, to hurl at God. He has rather a deep and
broad impersonal love of life; universal joy is the sum and substance
of his expression.
Public-domain text, read in full here on John Shaqi.
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