hope from the moment she saw him. She instinctively felt that to
sue for mercy from such a monster would be worse than vain. She
had lost hope utterly. She and her mother had been mistaken. The
saints cared for neither little Pierre nor herself, and had left
them to fall into the clutches of this demon. She glanced slowly
around the room in the faint hope of escape, or even for the chance
of throwing herself from a window, if it were needful, in order to
escape from that horrible man. But the walls were thick. No light
came from without, but only from a great furnace, that was Strangely
constructed and made her shudder. For a long time there was perfect
silence in the dreadful place. The two masked men, grotesque and
horrible, stood near the furnace, motionless as statues. The sable
monster on his black throne watched them without moving a muscle
in his great, coarse face, only his small eyes seemed like two
scintillating sparks of infernal fire, as with a fiendish kind
of pleasure he marked the agony of Ninon. Although the young girl
instinctively gave up all hope of life, yet never had life seemed
so sweet. Its homeliest details now appeared precious, and their
poor little cottage, heaven, compared with this den of infamy. She
had just tasted the exquisite happiness of a new and before unknown
love, and now she was to die. She thought of her mother growing gray
in loneliness and grief. She thought of her lover coming eagerly
to their trysting-place; but when he should come on the morrow,
Christmas day, what would she be?--where would she be? and in her
anguish she cried aloud, and, kneeling, stretched out her hands
towards the sable throne.
"Then for the first time the coarse, thick lips of the monster
distorted themselves into a hideous grin, but otherwise he did not
move, and the awful silence continued in that chamber of death.
"Ninon put her hands to her face, to hide his ugly visage, and then
sank down in the apathy of despair.
"There was nothing in Ninon's agony that disturbed Laval.
Scarcely a night passed but some victim like herself writhed under
his remorseless eyes. Their mortal fear and sufferings were his
recreation before the sterner business of sorcery that followed;
and the more demonstrative they were in their pain, the more highly
spiced was his pleasure. At first Ninon's beautiful and expressive
face kept his whole attention; but after a time he began to note
the strange-appearing little boy who accompanied her. There was
no fear in his calm, pale face. There was no dread in his large,
spiritual eyes, that seemed to look past the monster and his thick
walls to some rare vision beyond.
"'What does the little wretch see?' he queried, for Laval, like
his age, was very superstitious.
"But Ninon must be goaded out of her apathy, or the night would
be dull; so at last the thick lips open, and the awful silence is
broken by more awful words:
"'Girl, thou who art to lose body and soul, look at me.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account