United States -- History -- Revolution, 1775-1783 -- Fiction
"And you'll never say aught to--him, should you two meet?" Dorothy
asked wistfully, a burning color deepening in her cheeks.
"Should he and I meet," the young man said with a scowl, "it is not
likely to be in a fashion that will permit discourse of any sort."
Then he regretted his words, for his sister shivered and hid her face
over his heart.
"Come, Dot,"--and now he spoke more calmly, while he caressed the curly
head lying against his breast--"try to keep a brave heart. You have
done no wrong, little one, and we are all in God's hands. Pray you to
Him for your brother while he is from home; and pray as well that all
these sad matters will come right in the end."
He pressed a kiss upon her tearful face, and was gone.
Arriving in the town, he found his companions ready to depart; and
before sunset he was upon the road to Boston, leaving his wife to stop
for a day with Mistress Horton.
The following evening it was apparent that the end was coming fast to
Joseph Devereux.
Dorothy was alone with the stricken man, Aunt Lettice, who took 'Bitha
with her, having gone into the town early that afternoon, to make some
purchases, intending to return later with Mary.
Dr. Paine had told them how the end would probably come; and it was as
he had said. He himself was away toward Boston, where his services
were most needed, and there was no other physician for Dorothy to
summon, even had she felt it necessary.
But she well knew the uselessness of this. No human skill could
prolong the life of him who had been stricken down late in the
afternoon, and now lay unconscious, breathing heavily, like a strong
swimmer breasting heavy seas. And what sea beats so relentlessly as do
the black waters of Death?
Dorothy had stolen for a moment to the window, scarcely able to endure
to sit longer by the bed, listening to those gasping breaths that wrung
her heart with the passionate sense of impotence to help, or even ease,
the dying man.
Curled up in the broad window-seat, her face turned from the dimly
lighted room to the fast-falling night outside, the past, and its
contrast with the present, seemed to unroll before her with a vividness
of detail such as we are told comes to one who is drowning.
All that was happy seemed to lie behind her; all the cheer and comfort
of the old home were gone, never to return--no more than would her
father's protecting love.
And he--her father--was now drawing nigh to the day that knows no
darkness, no dawning; while for her the night shadows of the bitter
parting were closing about, dark and cold.
Public-domain text, read in full here on John Shaqi.
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