From Kitchen to Garret: Hints for young householdersPanton, J. E. (Jane Ellen)
General
From Kitchen to Garret: Hints for young householders
Panton, J. E. (Jane Ellen)
Home economics
But, whatever the material, in no case should the curtains be draped, or
tied up or chained as if they were wild beasts, with great gold or brass
chains (truly the very ‘foolishest’ things that were ever invented for
the purpose), and they should never come below the window sill or the
dado line, save and except in the case of a French window opening to a
garden or conservatory, when the white drapery should be fixed on rods
to the frame of the door, and the warmer curtains should be draped so as
to keep out the draughts and be drawn readily; and this is done by
sewing them to large rings that run easily on a brass pole, which must
be as small and unobtrusive as possible; and when not in use the
curtains must be drawn close to the wall and tied back, if wished, with
Liberty soft silk handkerchiefs--the 3_s._ 6_d._ size makes two of these
ties--in a colour to harmonise or contrast with that employed in the new
curtains themselves. These curtains must be about an inch longer than
the length from the pole to the floor, and must rather more than touch
the floor, because a French window means a draught to one’s toes, that
can only be circumvented by longish curtains, and a thick mat, so placed
as to be easily moved, should the window open into the room itself.
Roman sheetings are also excellent for curtains, and plush is the king
of materials, if we could afford it; the shades of colour in the folds
are perfect, and the tints in which plush is made are always lovely; but
as we cannot afford that, we must turn our eyes away from such
enchanting visions, and look out for a nice Mysore chintz for the
drawing-room, which must be lined, to make it warmer and more durable,
and trimmed with the goffered frill that always looks well in all
washing materials; the frill need not be lined. For bedrooms, there is
nothing better than the dark blue and white cretonne, the same both
sides; or Burnett’s excellent ‘marguerite’ cretonnes, in different
colours, at 9½_d._ a yard; the dark blue and white need not be lined
unless the bedroom receive the very early sun, when a lining is
necessary if blinds be done without; but I should make the curtains
double, as the material is as cheap as any lining procurable, and looks
far better than any self-colour could possibly look. These cretonnes
wash most beautifully, and begin at 9_d._ a yard. The chairs, frill to
the mantel-board, eider-down, and any bookcase edges should all be
finished with the same style of cretonne, though, of course, any other
harmonious colour can be introduced to avoid too much sameness. The
chair covers should be loose, and edged with a frill, as also should be
the eider-down cover; this spoils any room if kept in its
Turkey-patterned material, and should always be put into a cretonne
washable cover, as much for beauty as for health. But these details must
be kept for another chapter, as they do not enter into the great subject
of curtains.
Public-domain text, read in full here on John Shaqi.
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