From Kitchen to Garret: Hints for young householdersPanton, J. E. (Jane Ellen)
General
From Kitchen to Garret: Hints for young householders
Panton, J. E. (Jane Ellen)
Home economics
For example, most of the modern houses, and certainly one in which I
once lived, have not one single attempt at one, and have not even deep
recesses in which hooks and a curtain on a rod could be a substitute for
a cupboard, and in consequence we were compelled to spend a small
fortune on wardrobes. I purchased some very nice cheap ones at Maple’s
made out of deal, and painted a revolting drab colour, and also grained
to imitate maple--bird’s-eye maple. I only wish you could have heard the
chorus of anger when these arrived home, you would all have been amused;
but I said nothing, sent for my friend the painter, and gave them into
his hands, and in a short time they returned, one painted a lovely
sparrow’s-egg blue, further embellished with Japanese leather panels and
brass locks; the other an equally pretty shade of terra-cotta ‘treated’
very much in the same way. I am almost afraid to say how little these
cost. One has a long glass in, and I think was 4_l._ 10_s._, and the
other 4_l._; but they have ample accommodation, and are extremely pretty
pieces of furniture, and match the dressing-tables, washing-stands, and
chairs, of which more anon. These painted wardrobes can be embellished
at home, if we use Aspinall’s invaluable enamel paints, remembering that
two coats of this make any old grained thing beautiful; all one has to
do is to scrub the old paint well with strong soda-water, rubbing it
down afterwards with glass-paper. All graining, by the way, can be
treated like this, though naturally painters much prefer to add up a
bill and insist on burning off all old paint. Should the graining be
very thick, an application of ‘Carson’s detergent’ is advisable; this
costs 5_s._ at La Belle Sauvage Yard, London, E.C., and removes the old
paint in flakes immediately--a much cheaper and far less offensive
proceeding than the burning off of the paint so dear to the soul of the
ordinary workman.
Public-domain text, read in full here on John Shaqi.
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