From Memory's Shrine: The Reminscences of Carmen SylvaSylva, Carmen
History
From Memory's Shrine: The Reminscences of Carmen Sylva
Sylva, Carmen
Queens -- Romania -- Biography; Sylva, Carmen, 1843-1916
What a pleasure it was to listen to that mellow voice, and to the low
laugh with which he sometimes interrupted his own stories. Sohn was one
of those exceptional, happily constituted beings, themselves so
perfectly harmonious, that their presence seems to diffuse an atmosphere
of peace and contentment, into which as each one enters he feels on
better terms with himself and others. The world was full of beauty for
him, as it is for few of us, and the joy he felt in every aspect of the
beautiful--in Nature, in children, in the human form divine, and in
pleasant companionship--was, like the whole nature of the man, at once
ingenuous and profound. He had laid out for himself a little garden
round his house in Düsseldorf, with so much skill, that the small space
really looked like a miniature park. The effect was charming; but the
proprietor seemed almost to find it necessary to apologise for such a
display of luxury, saying deprecatingly,--“The beautiful is a necessary
condition of existence to us poor artists! So indispensable is it to us,
that we would willingly make every other sacrifice, just to be able to
surround ourselves with things of beauty!”
It was through his pupil, my great-uncle Charles, that we first became
acquainted with Sohn. My uncle, who had been a musical dilettante for
the first fifty years of his life, attaining I believe a certain
proficiency on the French horn, had recently turned his attention to
painting, in which art he was still a mere tyro at the time of my
parents’ marriage. At first he was always sending for Sohn, to ask his
criticism and advice, and by sheer hard work and perseverance he
succeeded in the end in painting very good portraits. There was one of
my mother, for which she declared she sat to him no less than
seventy-five times. To beguile the tedium of those long sittings, she
learned by heart the parts she was going to play in private theatricals,
repeating the lines aloud without fear of disturbing the artist, who was
quite absorbed in his work, and very hard of hearing into the bargain.
But in the one play occurred a phrase so singularly appropriate, that
she could not resist raising her voice for it to reach the ears of the
deaf old man, who peeped out astonished from behind his easel and shook
his finger at her, as she exclaimed:--“Dear Uncle! must I then really be
bored to death!” And her subsequent assurance that this was only in her
part only half mollified him. In spite of the long sittings, the
portrait was not a success; it however brought Sohn to our house, and
two admirable pictures of my mother by him represent her in all her
youthful bloom at that period. The one is in a red velvet dress, her
face framed in a mass of fair curls; the other in her riding-habit, just
as he had seen her jump down from her horse, flushed with the exercise
of a long ride.
Public-domain text, read in full here on John Shaqi.
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