From Paddington to Penzance: The record of a summer tramp from London to the Land's EndHarper, Charles G. (Charles George)
General
From Paddington to Penzance: The record of a summer tramp from London to the Land's End
Harper, Charles G. (Charles George)
England -- Description and travel
There was an American in the coffee-room. He was staying at the hotel,
it seemed, with his wife and daughter. He did not, strange to say,
wear striped trousers strapped over his boots, nor a star-spangled
waistcoat, as in the comic papers, nor the supposedly-characteristic
Yankee goatee. No, he had none of these things; he resembled that
American of the caricatures no more than the Englishman resembles
the John Bull of the leathern breeches and the top-boots, and the
low-crowned beaver hat. He didn’t even chew nor spit on the walls (we
must revise those caricatures). The only American traits about him were
his sallow complexion, his restlessness, and his high cheek-bones. That
is to say, when he was silent. When he spoke there was no excuse for
mistaking his nationality.
He eyed us for some time with an ill-suppressed curiosity, which at
length grew too acute for silence.
“Gentlemen,” said he, “I see your names in the visitors’ book of this
hotel. You come from London?”
I said we did.
“Say, you’re not travelling on business, I guess?”
The Wreck replied that we were touring for pleasure, and that we
walked. This was an indiscreet admission, I could see at once, for this
free-born citizen of those States evidently, by his manner, did not
quite appreciate walking for walking’s sake. It was evidently, to his
view, the mark of the “mean white.” But his only comment was, “Wall,
I’ll swear.”
For all this fall in his esteem, though, his curiosity was still
rampant, and he was as eager to obtain personal details as though he
had been an interviewer (which indeed he was not, for he informed us
that he had made “his dollars” in some grain-elevating business or
another in “Chicawgo,” and had come over to see this country).
“Well,” I said, in answer to his inquiries, “my friend here is nothing
in particular, and I’m a journalist.”
“You don’t say!” he exclaimed. “What paper?”
“The ---- and ----,” I replied; “but, indeed, any print that will use
my stuff and pay at decent rates.”
“Wall, now! You’re like the flies, bumming around the sweetest lump of
molasses, eh?”
I admitted that the case was somewhat similar, although I didn’t like
the analogy.
“Ah!” exclaimed our American (whose name, by the way, was Hiram D.
Cheasey, or something else equally humorous), “you ain’t got no
paper over here to compare with the best New York papers: one of ’em
’specially.”
“Which one may that be?” I inquired of the stranger, who by now was
beginning to exhibit symptoms of spread-eagleism.
“Sir,” he replied, “it is the organ through which America speaks to the
hull civilized world.”
I suspect I must have been tempted of the devil, for I inquired, with
apparent innocency--
“You mean the nasal organ, I presume?”
It was an unfortunate inquiry, for on account of it I never learned the
name of the New York print which had so world-wide a voice: I wonder
what is the title of that sheet, and what is its scale of remuneration?
XX.
Public-domain text, read in full here on John Shaqi.
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