From Paddington to Penzance: The record of a summer tramp from London to the Land's EndHarper, Charles G. (Charles George)
General
From Paddington to Penzance: The record of a summer tramp from London to the Land's End
Harper, Charles G. (Charles George)
England -- Description and travel
No man who writes upon Exeter, even if he only writes as superficially
as I do here, can be expected to forego this quotation--the expectation
would be too much for endurance: indeed, there are virtues of omission
in this book which might gain me the tolerance of that chivalric myth,
the “gentle reader,” for this one small sin of hackneying the hackneyed
once more. I take it, for instance, as a generous forbearance on my
part, that I did not quote at Winchester that oft-quoted epitaph on
Izaak Walton, although I hold it charming.
Among the first things we did at Exeter was to inquire (for we know our
Shakespeare well) for Rougemont Castle. But, as the first passer-by
whom we button-holed declared, with a glorious west-country confusion
of pronouns, that he “had never heard of he,” so also did every other
person at whom we directed our inquiries protest his or her ignorance
of such a place, saving, indeed, one who directed us to what proved to
be the Rougemont Hotel, “a large red building” indeed, but not the one
we wished.
Others had all the same tale to tell, ancient inhabitants equally with
the “strangers in these parts,” so we wavered between a consciousness
of absurdity and a feeling of indignation against the unlettered strata
into which we had penetrated, until, by good fortune, we encountered a
bookish “commercial,” to whom the place was known under its old-time
name equally well with its modern appellation of Northernhay.
Northernhay is a public garden, set about with statues of local
celebrities, and with one whose original was of imperial fame--Sir
Stafford Northcote, Earl of Iddesleigh. It was the site of that
stronghold, Rougemont Castle, whose poor remains are now enclosed
in private grounds. The gardens stand on a considerable height,
and overlook, through the trees, the Queen Street Station of the
South-Western Railway. All day long, and all the night, the snorting
of engines and their shrill whistles, the metallic crash of carriage
buffers, and the thunderous impacts of railway trucks are heard.
Behind the station the eye rests upon the county gaol and the military
barracks. Exeter has all the appliances of civilisation, I promise you.
It is a relief to turn from here and from the thronging streets to the
quietude of the Cathedral precincts, shadowed by tall trees and green
with lawns.
[Illustration: EXETER CATHEDRAL: WEST FRONT.]
Public-domain text, read in full here on John Shaqi.
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