From Paddington to Penzance: The record of a summer tramp from London to the Land's EndHarper, Charles G. (Charles George)
General
From Paddington to Penzance: The record of a summer tramp from London to the Land's End
Harper, Charles G. (Charles George)
England -- Description and travel
But Blackpool was a landing-place to be attempted only in fine weather.
Dartmouth harbour was the natural entrance. To guard it there were
built, in ancient times, the twin-towers of Dartmouth and Kingswear
Castles, facing one another, across the water, and between them was
stretched an iron chain, drawn taut by windlasses in time of peril,
which effectually prevented the entrance of hostile ships. Kingswear
Castle is comparatively insignificant, but Dartmouth Castle, viewed
from the Kingswear side, forms, with the adjoining church of Saint
Petrox, a striking group, backed by the lofty tree-clad hills of
Gallants’ Bower. A modern fort, built into the rock beside the sea,
adds a modern touch. Saint Petrox contains brasses to Roopes in plenty,
one of the inscriptions, curiously beautiful, for all its spelling:--
“JOHN ROOPE, OF DARTMOUTH, MARCHANT, 1609.
“’Twas not a winded nor a withered face
Nor long gray hares nor dimnes in the eyes
Nor feble limbs nor uncouth trembling pace
Presagd his death that here intombed lies
His time was come, his maker was not bounde
To let him live till all their markes were founde,
His time was come, that time he did imbrace
With sence & feelinge with a joyfull harte
As his best passage to a better place,
Where all his cares are ended & his smarte
This Roope was blest, that trusted in God alone
He lives twoe lives where others live but one.”
[Illustration: DARTMOUTH CASTLE.]
By this time my sketch-book was filled, and we went to a bookseller’s
to buy another, finally purchasing a ship’s log-book for the purpose.
It was ruled with faint blue lines, unfortunately (what stationers
term “feint only”), but the paper of it took pencil beautifully. I
think we left the bookseller’s assistant with but a poor estimate of
our artistic powers, for he seemed consumed with astonishment at the
choice, and grieved when I flouted the gorgeous sketch-books, oblong
in shape, and lettered in big gold lettering on their covers, that
he would have us buy. “All artists,” said he, “use these;” but we
took leave to doubt the statement, and left them for the use of the
bread-and-butter miss.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account