From Paddington to Penzance: The record of a summer tramp from London to the Land's EndHarper, Charles G. (Charles George)
General
From Paddington to Penzance: The record of a summer tramp from London to the Land's End
Harper, Charles G. (Charles George)
England -- Description and travel
We left Kingsbridge as evening drew on, for the five miles’ voyage to
Salcombe. The steamer was full of country folk, and a few tourists were
observable amid the market baskets. Next to us sat a young fellow and
his newly married wife, evidently on their honeymoon, and desperately
ill at ease. Every one on board, although none of them were acquainted
with those young people, knew their case, and they were the centre to
which all eyes were directed. Few noticed the scenery while this human
interest was on view, although that scenery was most impressive.
The _quasi_ river of Salcombe, seen under a gorgeous sunset with
lowering clouds, is not so much lovely as weird, its lonely creeks
and inlets running between hills almost treeless, and black against
the sky. We passed the excursion steamer coming home to Kingsbridge
from Plymouth, with its white mast-head light, and green and red
side-lights, the hull of her looming hugely as she rushed by.
[Illustration: KINGSBRIDGE QUAY: EVENING.]
Presently our engines stopped, and in sight of Salcombe lights across
the water, we landed a party in the darkness of a lonely shore for
Portlemouth. Passengers and luggage were tumbled into the boat, and
soon were lost to view in the gloom; only the splashing of the oars,
the rattle of rowlocks, and the murmur of voices indicating their
neighbourhood. When the boat returned we steamed across to Salcombe
Quay, and landed under the glittering lights of the precipitous town;
glittering, that is to say, from a distance: near at hand they have
more the shine of glow-worms.
It is a thrilling experience to land thus, on a Saturday night, in an
entirely strange place, and to have, perforce, to hunt immediately for
a night’s lodging. We traversed the long narrow street of Salcombe
without success, and finally arrived opposite the glare of an imposing
house.
“Do you want the hotel, sir?” inquired a Voice.
“Yes; which hotel is this?” demanded the Wreck, directing his voice at
the place generally, failing to see any one.
“The Marine Hotel, sir!”
Now, we had heard something of the palatial character of this hotel,
and recollecting the traditional shortness of the artist’s purse, we
trembled!
“Oh!” said the Wreck, replying to the Voice, “rather expensive hotel,
is it not?”
“Yes, sir,” replied the Voice, suddenly becoming endowed with a
body--Boots apparently--“first-class hotel, sir.”
This meant waiters in evening dress and haughty chambermaids. What
should we dusty wayfarers do in this galley, who carried our luggage on
our backs? No landlord of a “first-class hotel” respects a visitor who
has not piles of portmanteaux. We faded away from the glance of that
candid Boots into the (comparatively) utter darkness, and so down the
street again, presently to find that haven where we would be.
We supped, and the Wreck discovered a crumb-brush. “A brush at last!”
he exclaimed, vigorously brushing his hat with it.
“But that’s not a hat-brush,” said I, astonished.
Public-domain text, read in full here on John Shaqi.
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