From Place to PlaceCobb, Irvin S. (Irvin Shrewsbury)
General
From Place to Place
Cobb, Irvin S. (Irvin Shrewsbury)
Fiction; Short stories
"I'll do better than that," she promised: "I'll let you read about it in
a book--an old secondhand book, it is; you saw it yesterday. Maybe I can
convert you to reading old books; they're often full of things that
people in your line should know."
"Lady," he said reverently, "you've made a true believer of me
already."
CHAPTER IX
THE BULL CALLED EMILY
We were sitting at a corner table in a certain small restaurant hard by
where Sixth Avenue's L structure, like an overgrown straddlebug, wades
through the restless currents of Broadway at a sharpened angle. The dish
upon which we principally dined was called on the menu _Chicken a la
Marengo_. We knew why. Marengo, by all accounts, was a mighty tough
battle, and this particular chicken, we judged, had never had any
refining influences in its ill-spent life. From its present defiant
attitude in a cooked form we figured it had pipped the shell with a
burglar's jimmy and joined the Dominecker Kid's gang before it shed its
pin-feathers. There were two of us engaged in the fruitless attack upon
its sinewy tissues--the present writer and his old un-law-abiding
friend,--Scandalous Doolan.
For a period of minutes Scandalous wrestled with the thews of one of the
embattled fowl's knee-joints. After a struggle in which the honours
stood practically even, he laid down his knife and flirted a thumb
toward a bottle of peppery sauce which stood on my side of the table.
"Hey, bo," he requested, "pass the liniment, will you? This sea gull's
got the rheumatism."
The purport of the remark, taken in connection with the gesture which
accompanied it, was plain enough to my understanding; but for the nonce
I could not classify the idiom in which Scandalous couched his request.
It could not be Underworld jargon; it was too direct and at the same
time too picturesque. Moreover, the Underworld, as a rule, concerns
itself only with altering such words and such expressions as strictly
figure in the business affairs of its various crafts and pursuits. Nor
to me did it sound like the language of the circus-lot, for in such case
it probably would have been more complex. So by process of elimination I
decided it was of the slang code of the burlesque and vaudeville stage,
with which, as with the other two, Scandalous had a thorough
acquaintance. I felt sure, then, that something had set his mind to
working backward along the memory-grooves of some one or another of his
earlier experiences in the act-producing line of endeavour, and that,
with proper pumping, a story might be forthcoming. As it turned out, I
was right.
"Where did you get that one, Scandalous?" I asked craftily. "Your own
coinage, or did you borrow it from somebody else?"
He only grinned cryptically. After a bit he hailed the attendant waiter,
who because he plainly suffered from fallen arches had already been
rechristened by Scandalous as Battling Insteps.
Public-domain text, read in full here on John Shaqi.
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