From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
With regard to the attitude taken up by certain critics, that no
evidential value can be attached to these references, I would point out
that when Medieval writers quote an authority for their statements
they, as a rule, refer to a writer whose name carries weight, and will
impress their readers; they are offering a guarantee for the
authenticity of their statements. The special attribution may be purely
fictitious but the individual referred to enjoys an established
reputation. Thus, the later cyclic redactions of the Arthurian romances
are largely attributed to Walter Map, who, in view of his public
position, and political activities, could certainly never have had the
leisure to compose one half of the literature with which he is
credited! In the same way Robert de Borron, Chrétien de Troyes, Wolfram
von Eschenbach, are all referred to as sources without any
justification in fact. Nor is it probable that Wauchier, who wrote on
the continent, and who, if he be really Wauchier de Denain, was under
the patronage of the Count of Flanders, would have gone out of his way
to invent a Welsh source.
Judging from analogy, the actual existence of a personage named
Bleheris, who enjoyed a remarkable reputation as a story-teller, is,
_prima facie_, extremely probable.[9]
But are these references independent, was there more than one Bleheris?
I think not. The name is a proper, and not a family, name. In the
latter case it might be possible to argue that we were dealing with
separate members of a family, or group, of bardic poets, whose office
it was to preserve, and relate, the national legends. But we are
dealing with variants of a proper name, and that of distinctly insular,
and Welsh origin.[10]
The original form, Bledri, was by no means uncommon in Wales: from that
point of view there might well have been four or five, or even more, of
that name, but that each and all of these should have possessed the
same qualifications, should have been equally well versed in popular
traditions, equally dowered with the gift of story-telling, on equally
friendly terms with the Norman invaders, and equally possessed of such
a knowledge of the French language as should permit them to tell their
stories in that tongue, is, I submit, highly improbable. This latter
point, _i.e._, the knowledge of French, seems to me to be of crucial
importance. Given the relations between conqueror and conquered, and
the _intransigeant_ character of Welsh patriotism, the men who were on
sufficiently friendly terms with the invaders to be willing to relate
the national legends, with an assurance of finding a sympathetic
hearing, must have been few and far between. I do not think the
importance of this point has been sufficiently grasped by critics.
Public-domain text, read in full here on John Shaqi.
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