In the base of the pagoda were four rooms, lined as to three sides with colossal plaster figures, before each of whom burned one solitary dip whose rays fought with the flood of evening sunshine that came through the windows, and the room was filled with a pale yellow light--unearthly to stand in. Occasionally a woman crept in to one of these rooms to pray, but nearly all the company stayed in the courtyard; but those that faced the figures prayed more zealously than the others, so I judged that their troubles were the greater. Of the actual cult I knew less than nothing; for the neatly bound English books that we read make no mention of pointing red-tipped straws at a golden image, or of the banging of bells after the custom of worshippers in a Hindu temple. It must be a genial one, however. To begin with, it is quiet and carried on among the fairest possible surroundings that ever landscape offered. In this particular case, the massive white pagoda shot into the blue from the west of a walled hill that commanded four separate and desirable views as you looked either at the steamer in the river below, the polished silver reaches to the left, the woods to the right, or the roofs of Moulmein to the landward. Between each pause of the rustling of dresses and the low-toned talk of the women fell, from far above, the tinkle of innumerable metal leaves which were stirred by the breeze as they hung from the _'htee_ of the pagoda. A golden image winked in the sun; the painted ones stared straight in front of them over the heads of the worshippers, and somewhere below a mallet and a plane were lazily helping to build yet another pagoda in honour of the Lord of the Earth. Sitting in meditation while the Professor went round with a sacrilegious camera, to the vast terror of the Burmese youth, I made two notable discoveries and nearly went to sleep over them. The first was that the Lord of the Earth is Idleness--thick slab idleness with a little religion stirred in to keep it sweet, and the second was that the shape of the pagoda came originally from a bulging toddy-palm trunk. There was one between me and the far-off sky line, and it exactly duplicated the outlines of a small grey stone building. Yet a third discovery, and a much more important one, came to me later on. A dirty little imp of a boy ran by clothed more or less in a beautifully worked silk putso, the like of which I had in vain attempted to secure at Rangoon. A bystander told me that such an article would cost one hundred and ten rupees--exactly ten rupees in excess of the price demanded at Rangoon, when I had been discourteous to a pretty Burmese girl with diamonds in her ears, and had treated her as though she were a Delhi boxwallah.