From Sea to Sea; Letters of TravelKipling, Rudyard
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From Sea to Sea; Letters of Travel
Kipling, Rudyard
Asia -- Description and travel; Kipling, Rudyard, 1865-1936 -- Travel; United States -- Description and travel; Voyages and travels
When one comes to a new station the first thing to do is to call on the
inhabitants. This duty I had neglected, preferring to consort with
Chinese till the Sabbath, when I learnt that Singapur went to the
Botanical Gardens and listened to secular music.
All the Englishmen in the island congregated there. The Botanical
Gardens would have been lovely at Kew, but here, where one knew that
they were the only place of recreation open to the inhabitants, they
were not pleasant. All the plants of all the tropics grew there
together, and the orchid-house was roofed with thin battens of
wood--just enough to keep off the direct rays of the sun. It held
waxy-white splendours from Manila, the Philippines, and tropical
Africa--plants that were half-slugs, drawing nourishment apparently from
their own wooden labels; but there was no difference between the
temperature of the orchid-house and the open air; both were heavy,
dank, and steaming. I would have given a month's pay--but I have no
month's pay--for a clear breath of stifling hot wind from the sands of
Sirsa, for the darkness of a Punjab dust-storm, in exchange for the
perspiring plants, and the tree-fern that sweated audibly.
Just when I was most impressed with my measureless distance from India,
my carriage advanced to the sound of slow music, and I found myself in
the middle of an Indian station--not quite as big as Allahabad, and
infinitely prettier than Lucknow. It overlooked the gardens that sloped
in ridge and hollow below; and the barracks were set in much greenery,
and there was a mess-house that suggested long and cooling drinks, and
there walked round about a British band. It was just We Our Noble
Selves. In the centre was the pretty _Memsahib_ with light hair and
fascinating manners, and the plump little _Memsahib_ that talks to
everybody and is in everybody's confidence, and the spinster fresh from
home, and the bean-fed, well-groomed subaltern with the light coat and
fox-terrier. On the benches sat the fat colonel, and the large judge,
and the engineer's wife, and the merchant-man and his family after their
kind--male and female met I them, and but for the little fact that they
were entire strangers to me, I would have saluted them all as old
friends. I knew what they were talking about, could see them taking
stock of one another's dresses out of the corners of their eyes, could
see the young men backing and filling across the ground in order to walk
with the young maidens, and could hear the "Do you think so's" and "Not
really's" of our polite conversation. It is an awful thing to sit in a
hired carriage and watch one's own people, and know that though you know
their life, you have neither part nor lot in it.
"I am a shadow now; alas! alas!
Upon the skirts of human nature dwelling,"
Public-domain text, read in full here on John Shaqi.
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