From Sea to Sea; Letters of TravelKipling, Rudyard
General
From Sea to Sea; Letters of Travel
Kipling, Rudyard
Asia -- Description and travel; Kipling, Rudyard, 1865-1936 -- Travel; United States -- Description and travel; Voyages and travels
[10] A sacred herb of the Hindus.
Let us not compare the two men, but go on through Nagasaki.
Except for the horrible policemen who insist on being Continental, the
people--the common people, that is--do not run after unseemly costumes
of the West. The young men wear round felt hats, occasionally coats and
trousers, and semi-occasionally boots. All these are vile. In the more
metropolitan towns men say Western dress is rather the rule than the
exception. If this be so, I am disposed to conclude that the sins of
their forefathers in making enterprising Jesuit missionaries into
beefsteak have been visited on the Japanese in the shape of a partial
obscuration of their artistic instincts. Yet the punishment seems rather
too heavy for the offence.
Then I fell admiring the bloom on the people's cheeks, the
three-cornered smiles of the fat babes, and the surpassing "otherness"
of everything round me. It is so strange to be in a clean land, and
stranger to walk among doll's houses. Japan is a soothing place for a
small man. Nobody comes to tower over him, and he looks down upon all
the women, as is right and proper. A dealer in curiosities bent himself
double on his own door-mat, and I passed in, feeling for the first time
that I was a barbarian, and no true Sahib. The slush of the streets was
thick on my boots, and he, the immaculate owner, asked me to walk across
a polished floor and white mats to an inner chamber. He brought me a
foot-mat, which only made matters worse, for a pretty girl giggled round
the corner as I toiled at it. Japanese shopkeepers ought not to be so
clean. I went into a boarded passage about two feet wide, found a gem of
a garden of dwarfed trees, in the space of half a tennis court, whacked
my head on a fragile lintel, and arrived at a four-walled daintiness
where I involuntarily lowered my voice. Do you recollect Mrs.
Molesworth's _Cuckoo Clock_, and the big cabinet that Griselda entered
with the cuckoo? I was not Griselda, but my low-voiced friend, in his
long, soft wraps, was the cuckoo, and the room was the cabinet. Again I
tried to console myself with the thought that I could kick the place to
pieces; but this only made me feel large and coarse and dirty,--a most
unfavourable mood for bargaining. The cuckoo-man caused pale tea to be
brought,--just such tea as you read of in books of travel,--and the tea
completed my embarrassment. What I wanted to say was, "Look here, you
person. You're much too clean and refined for this life here below, and
your house is unfit for a man to live in until he has been taught a lot
of things which I have never learned. Consequently I hate you because I
feel myself your inferior, and you despise me and my boots because you
know me for a savage. Let me go, or I'll pull your house of cedar-wood
over your ears." What I really said was, "Oh, ah yes. Awf'ly pretty.
Awful queer way of doing business."
Public-domain text, read in full here on John Shaqi.
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