From Sea to Sea; Letters of TravelKipling, Rudyard
General
From Sea to Sea; Letters of Travel
Kipling, Rudyard
Asia -- Description and travel; Kipling, Rudyard, 1865-1936 -- Travel; United States -- Description and travel; Voyages and travels
They led us--three of them and all fresh and pretty--into a room
furnished with a golden-brown bearskin. The _tokonoma_, recess
aforementioned, held one scroll-picture of bats wheeling in the
twilight, a bamboo flower-holder, and yellow flowers. The ceiling was of
panelled wood, with the exception of one strip at the side nearest the
window, and this was made of plaited shavings of cedar-wood, marked off
from the rest of the ceiling by a wine-brown bamboo so polished that it
might have been lacquered. A touch of the hand sent one side of the room
flying back, and we entered a really large room with another _tokonoma_
framed on one side by eight or ten feet of an unknown wood, bearing the
same grain as a Penang lawyer, and above by a stick of unbarked tree set
there purely because it was curiously mottled. In this second _tokonoma_
was a pearl-grey vase, and that was all. Two sides of the room were of
oiled paper, and the joints of the beams were covered by the brazen
images of crabs, half life-size. Save for the sill of the _tokonoma_,
which was black lacquer, every inch of wood in the place was natural
grain without flaw. Outside was the garden, fringed with a hedge of
dwarf-pines and adorned with a tiny pond, water-smoothed stones sunk in
the soil, and a blossoming cherry tree.
They left us alone in this paradise of cleanliness and beauty, and being
only a shameless Englishman without his boots--a white man is always
degraded when he goes barefoot--I wandered round the wall, trying all
the screens. It was only when I stooped to examine the sunk catch of a
screen that I saw it was a plaque of inlay work representing two white
cranes feeding on fish. The whole was about three inches square and in
the ordinary course of events would never be looked at. The screens hid
a cupboard in which all the lamps and candlesticks and pillows and
sleeping-bags of the household seemed to be stored. An Oriental nation
that can fill a cupboard tidily is a nation to bow down to. Upstairs I
went by a staircase of grained wood and lacquer, into rooms of rarest
device with circular windows that opened on nothing, and so were filled
with bamboo tracery for the delight of the eye. The passages floored
with dark wood shone like ice, and I was ashamed.
"Professor," said I, "they don't spit; they don't eat like pigs; they
can't quarrel, and a drunken man would reel straight through every
portion in the house and roll down the hill into Nagasaki. They can't
have any children." Here I stopped. Downstairs was full of babies.
The maidens came in with tea in blue china and cake in a red lacquered
bowl--such cake as one gets at one or two houses in Simla. We sprawled
ungracefully on red rugs over the mats, and they gave us chopsticks to
separate the cake with. It was a long task.
"Is that all?" growled the Professor. "I'm hungry, and cake and tea
oughtn't to come till four o'clock." Here he took a wedge of cake
furtively with his hands.
Public-domain text, read in full here on John Shaqi.
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