To-morrow brought fine drizzling rain. The sun, by the way, has been hidden now for more than three weeks. They took us to what must be the chief temple of Kobé and gave it a name which I do not remember. It is an exasperating thing to stand at the altars of a faith that you know nothing about. There be rites and ceremonies of the Hindu creed that all have read of and must have witnessed, but in what manner do they pray here who look to Buddha, and what worship is paid at the Shinto shrines? The books say one thing; the eyes, another. The temple would seem to be also a monastery and a place of great peace disturbed only by the babble of scores of little children. It stood back from the road behind a sturdy wall, an irregular mass of steep pitched roofs bound fantastically at the crown, copper-green where the thatch had ripened under the touch of time, and dull grey-black where the tiles ran. Under the eaves a man who believed in his God, and so could do good work, had carved his heart into wood till it blossomed and broke into waves or curled with the ripple of live flames. Somewhere on the outskirts of Lahore city stands a mazy gathering of tombs and cloister walks called Chajju Bhagat's Chubara, built no one knows when and decaying no one cares how soon. Though this temple was large and spotlessly clean within and without, the silence and rest of the place were those of the courtyards in the far-off Punjab. The priests had made many gardens in corners of the wall--gardens perhaps forty feet long by twenty wide, and each, though different from its neighbour, containing a little pond with goldfish, a stone lantern or two, hummocks of rock, flat stones carved with inscriptions, and a cherry or peach tree all blossom. Stone-paved paths ran across the courtyard and connected building with building. In an inner enclosure, where lay the prettiest garden of all, was a golden tablet ten or twelve feet high, against which stood in high relief of hammered bronze the figure of a goddess in flowing robes. The space between the paved paths here was strewn with snowy-white pebbles, and in white pebbles on red they had written on the ground, "How happy." You might take them as you pleased--for the sigh of contentment or the question of despair.