There was sea-green watered silk with golden dragons; terra-cotta crêpe with ivory-white chrysanthemums clustering upon it; black-barred silk shot with yellow flames; lapis-lazuli silk and silver fishes; avanturine silk with plaques of grey-green let in; cloth of gold over dragon's blood; and saffron and brown silk stiff as a board with embroidery. We returned to the temple now filled with the gorgeous robes. The little lacquer stands were the priests' book-racks. Some lay down among them, while others moved very softly about the golden altars and the incense-burners; and the high priest disposed himself, with his back to the congregation, in a golden chair through which his robe winked like the shards of a tiger-beetle. In solemn calm the books were unrolled, and the priests began chanting Pali texts in honour of the Apostle of Unworldliness, who had written that they were not to wear gold or mixed colours, or touch the precious metals. But for a few unimportant accessories in the way of half-seen images of great men--but these could have been called saints--the scene before me might have been unrolled in a Roman Catholic cathedral, say the rich one at Arundel. The same thought was in other minds, for in a pause of the slow chant a voice behind me whispered:-- "To hear the blessed mutter of the mass And see God made and eaten all day long." It was a man from Hong-Kong, very angry that he too had not been permitted to photograph an interior. He called all this splendour of ritual and paraphernalia just "an interior," and revenged himself by spitting Browning at it. The chant quickened as the service drew to an end, and the candles burned low.