From Sea to Sea; Letters of TravelKipling, Rudyard
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From Sea to Sea; Letters of Travel
Kipling, Rudyard
Asia -- Description and travel; Kipling, Rudyard, 1865-1936 -- Travel; United States -- Description and travel; Voyages and travels
_Nota Bene._--When one is on the Road it is above all things necessary
to "pass the time o' day" to fellow-wanderers. Failure to comply with
this law implies that the offender is "too good for his company"; and
this, on the Road, is the unpardonable sin. The Englishman "passed the
time o' day" in due and ample form. "Ha! Ha!" said the gentleman with
the bag. "Isn't this a sweet place? There ain't no _ticca-gharies_, and
there ain't nothing to eat, if you haven't brought your vittles, an'
they charge you three-eight for a bottle of whisky. Oh! it's a sweet
place." Here he skipped about the verandah and puffed. Then turning upon
the Englishman, he said fiercely: "What have you come here for?" Now
this was rude, because the ordinary form of salutation on the Road is
usually "And what are you for?" meaning "what house do you represent?"
The Englishman answered dolefully that he was travelling for pleasure,
which simple explanation offended the little man with the courier-bag.
He snapped his joints more excruciatingly than ever: "For pleasure? My
God! For pleasure? Come here an' wait five weeks for your money, an',
mark what I'm tellin' you now, you don't get it then! But per'aps your
ideas of pleasure is different from most people's. For pleasure! Yah!"
He skipped across the sands toward the station, for he was going back
with the down train, and vanished in a whirlwind of luggage and the
fluttering of female skirts: in Jodhpur the women are baggage coolies. A
level, drawling voice spoke from an inner room: "'E's a bit upset.
That's what 'e is! I remember when I was at Gworlior"--the rest of the
story was lost, and the Englishman set to work to discover the nakedness
of the dak-bungalow. For reasons which do not concern the public, it is
made as bitterly uncomfortable as possible. The food is infamous, and
the charges seem to be wilfully pitched about eighty per cent above the
tariff, so that some portion of the bill, at least, may be paid without
bloodshed, or the unseemly defilement of walls with the contents of
drinking glasses. This is short-sighted policy, and it would, perhaps,
be better to lower the prices and hide the tariff, and put a guard about
the house to prevent jackal-molested donkeys from stampeding into the
verandahs. But these be details. Jodhpur dak-bungalow is a merry, merry
place, and any writer in search of new ground to locate a madly
improbable story in, could not do better than study it diligently. In
front lies sand, riddled with innumerable ant-holes, and beyond the sand
the red sandstone wall of the city, and the Mahometan burying-ground
that fringes it. Fragments of sandstone set on end mark the resting
places of the Faithful, who are of no great account here. Above
everything, a mark for miles around, towers the dun-red pile of the Fort
which is also a Palace. This is set upon sandstone rock whose sharper
features have been worn smooth by the wash of the windblown sand. It is
Public-domain text, read in full here on John Shaqi.
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