From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
I have often wished I could have the faith of some Christians in the
power of the Holy Book and, when I wanted to decide anything of
importance, just open it to any page, put my finger on a spot, and
proceed according to the instructions thereupon given. I have the
gambler’s instinct, but perhaps only for little things, and while I have
never gone to the Bible for material guidance, I have many times
employed the childish quotation, “My mother says that I shall do
this”—pointing a finger at each word—and following the lead. This does
not always prove a happy method of selecting one’s future, but I think
it is as near as one can come to it. There is only one case where I am
certain it cannot fail, and that is for a very good reason—there is a
prize package at the end of _every_ string. If you stand in the center
of Paris and start in any direction toward its environs, you will end at
a place more charming than you can imagine. I have tried this experiment
many times and have never been disappointed.
Carrière St.-Denis was discovered quite accidentally by two of my
painter friends, and it was only after a long time that they let me in
on the secret. Having traveled out of the city on the railway as far as
Nanterre, you take your courage in your hands and get off at this place,
which seems to have nothing more interesting than endless fields of
vegetables. Despair not; cross the tracks and walk steadily on until you
come to a canal. Here is a wooded island whose banks look like nothing
so much as the old fishing place on the Concord River at home. All is
quiet, with no signs of human habitation until you come to a post across
from which a boat is tied. Here you must stop, put your hands to your
mouth to form a trumpet, and cry: “_Passeur!_”—”_Passeur!_” After about
the second call will come the answer, “_Attendez!_” and down the path
from his little hut, which is entirely concealed by the trees, comes an
old man bearing upon his shoulder a pair of oars. Without speaking a
word, he comes over, you get into the boat, and he rows you across the
canal, where, very gravely, he leaves the skiff and, again carrying the
oars, he walks with you across the island. Here you are at the Seine,
but a part of the river that you have not known before. Another boat is
waiting, again the old man rows you over, but this time you land upon a
gravelly beach flanked by a cliff so steep that you despair of ever
climbing it.
Public-domain text, read in full here on John Shaqi.
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