From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
No birds in the world make real music except the nightingale and the
wood thrush. The remainder whistle. Shelley’s lark is the ideal of the
going to heaven and disappearing, but there is no song. This little bird
in our dark wood coppice used to come out and sit on a garden post at
night and commit suicide from love in such a way as nearly to tear his
throat apart. Look out how you take it seriously, though, for the next
minute after you are sure the life has gone out of his body he is
fooling you by gurgling such sentimental poppycock as “I took you away
and made you love me.” All the way from Hamlet to Pierrot, it is music
burbling through blood and tears.
_V. Stuttgart_
It is a far cry from Paris to Stuttgart, but my only experience of
Germany is in this town, and there are several things about it that I
like to remember. The greatest impression left to me is the music,
everything was permeated with it. I have never been able to perform on
any instrument, and my only claim to singing is that I could yell louder
than anyone else in school, but some how I have always felt the rhythms
inside, and the wonder to me was to see a whole race of people who were
musicians. In the later afternoon the workmen come home from their work
in the vineyards, fifteen or twenty of them in one group. They fall into
singing quite naturally, each one taking the part best suited to his
voice, while away down the road another group will take up the melody,
fitting in perfect harmony, until the whole has formed a large chorus,
singing in accord. I often think it is a pity that we do not have
something like that, but I suppose that these songs must be the growth
of the soil—and we are too young.
Many years ago—I do not know how many—a citizen left a sum of money in
his will, providing for music to be played from the cathedral tower at
twelve o’clock noon. I do not know if he directed the kind of music it
should be, but in my time it was provided by four stringed instruments.
Just after the clock had struck the hour, proclaiming that the weary
worker might pause and rest, this music would come down from the sky, as
if some heavenly chorus were singing.
Public-domain text, read in full here on John Shaqi.
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