From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
Thomas Bailey Aldrich wrote delightful verse and was a charming man, but
little things sometimes irritated him greatly. I remember him coming
into the club evidently as cross as two sticks. The publishers had had
the “cheek” to refuse a poem of his. I asked why. “Oh, I suppose they
found it too meter-icious.” And this was long before the days of free
verse.
Louis Aldrich made a fortune from the play “My Pardner,” taken from the
Bret Harte story called _Tennessee’s Pardner_.
When Louis Aldrich was chairman of the house committee of The Players, I
saw him one noon standing at the door of the dining room, talking to
Walter, the head waiter. Presently, in a loud voice, he said:
“Walter, what is the lunch to-day?”
“Pork chops and sausages, sir.”
“An insult to the house committee.”
Then later at the table:
“Walter, bring me some of that damn Christian food.”
Henry E. Dixey and Louis were in a war play together, and I heard the
latter pray Harry (who had the part of a New York policeman) to spare
him when he gave a long speech about the flag. I was one of the
first-night audience, and at that most pathetic climax about Old Glory,
etc., the policeman suddenly fell dead.
Many actors have a ready wit. Jack Wendall became quite famous for his
excellent portrayal of the dog in Rostand’s “Chanticleer.” One of these
silly, satisfied business men was a guest at The Players and, meeting
Jack, insisted upon his giving an example of his bark right then and
there. After much persuasion and, in order to silence the man, he did
so. Whereupon the man proceeded to bark much louder and much better than
Jack. The actor was worsted at his own game and by such a fatuous
creature, but he turned and said, with the most cunning inference:
“It is fine, but you see, sir, _I_ had to learn.”
Speaking of Rostand, I _am_ proud of a translation of mine of two lines
of “Cyrano.” Mark Smith had challenged my statement that it could be
done in English verse and gave as a test:
“_Qu’est-ce qu’un baiser? C’est le point rose sur l’I du mot aimer._”
I gave him:
“What is a kiss? The rosy dot upon the ‘I’ of bliss.”
Mark was an actor and the son of an actor. I saw him first with Mrs.
Leslie Carter. It is told of him that just before his birth his parents
were in Paris. His father, being very patriotic, went to the American
embassy, got some earth from the cellar, and, filling four saucers with
it, placed them under the legs of the bed where his wife lay. With Old
Glory over the bed, Mark was ushered into the world as near an American
citizen as his father could make him.
Public-domain text, read in full here on John Shaqi.
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