From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
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From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
Not one of those thirteen children had ever seen a sling; so, of course,
the rest of the afternoon had to be devoted to making one out of an old
shoe. The next morning they all had slings, and before I arrived one of
the boys had become expert enough to kill a woodpecker.
“God” had been nothing but an oath to them before; “Christ” was a little
more familiar; but I resolved to stick to the Old Testament. The girls
were interested in Judith, and understood her, too, but I was obliged to
suppress the profanity that was hurled at Delilah when I told the story
of Samson.
That these tales produced a definite result was proved in the case of
little Sammy Sullivan. After recess, on a certain Thursday, everyone
came in but Sammy. When I asked where he was they all giggled, so I went
outside to find him, carefully locking the door behind me in order to
keep my scholars from departing in a body. I had not gone far when a
something made me realize that Sammy was not out there. There was no
brush, and fifty feet away I saw a slight motion among the trees.
Stalking him from the back, I heard weird sounds, and there, stuck up
against a yellow-pine tree, was a small boy’s cap, and standing off from
it, with a sling, was the boy himself, taking careful aim at this
imaginary adversary. Sammy was fighting over the battle of David and
Goliath and fighting it like a male, but the flood of oaths that came
rippling from his rosy lips would have shamed Satan himself.
Learning is acquired in various ways—at times, better outside the
schoolhouse than within. I tiptoed away, never letting him know that I
had seen him, for I felt that Sammy was getting his education.
Public-domain text, read in full here on John Shaqi.
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