From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
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From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
But I had to finish my job. Although I am very much afraid of any
physical hurt, I am not a coward mentally, and you can control any
drunken or crazy man if you stay just “one think” ahead. He was looking
at the faces and I knew it had got to end. I said:
“‘Doc,’ they’re after us. I think it’s me as well as you. We’ll go
through ’em like a dose of salts. You go ahead, walk slowly, and when I
say, ‘Now!’—then, ‘Doc’—rush!”
We started for the door, I saying all the time:
“Slow—slow.”
And then when he was ten feet away from the crowd I cried:
“Now, ‘Doc’!” and put my foot in front of him to trip him up.
By the time they got to him, there on the floor, he was unconscious and
frothing at the mouth. The next morning I was so bruised from his
affectionate handling that I could hardly walk, and there was a cut on
my Adam’s apple; but I went around to the jail to see “Doc.” He was back
in the terrific chains that he had so dreaded in Stockton. As soon as he
saw me he lunged forward, yelling and screaming.
“Yes, they got me”—ripping out a thousand oaths—“but they didn’t get
you. I’d like to eat your black heart out.”
They took him to the state asylum, and I don’t know what happened to him
later; but I shall never go back to Sissons unless I am sure “Doc”
Sullivan is dead.
Walter Scott’s cabin was twenty-two miles from Sissons in Huckleberry
Valley, and here I went during vacation time to help him tan hides and
smoke venison. Scott was over six feet tall, with bright red hair, a
straight Greek profile, and absolutely illiterate. But a more joyous
creature never lived. With him was a man named Peter Klink—a silent
German who had been a miner in the days of ’49.
One day I was out hunting for the camp, and on one of the benches that
ran down from Shasta, with brooks between, I started a doe. I let “rip”
and must have “creased” her, as she went down like a shot. Dropping my
gun, I went for her, knowing that if I could close with her before she
got up, I could knife her. In my mad rush I suddenly took a header. This
was unusual in that country, as the ground was free from stones or small
brush. Rumpling up the pine needles, I found a pick head; the handle had
rotted out, showing that there had been mining there once. Near by—a
very uncommon sight—was a large stone.
That night, after the guns were cleaned, the dogs fed, and a brisket of
venison hung near the fire, ready for each one of us to cut off a slice
with his hunting knife before we went to bed, I told my experience.
“That’s Benny Russell’s stone,” said Peter, and by the light in his eyes
I knew, if I kept very quiet, there might be a story.
Taking his pipe out of his mouth and giving me a searching glance, he
said:
“You didn’t heist that stone over, did ye?”
“Turn it over, Peter?” I replied. “How could I? Think I’m a young
Hercules? Besides, what would be underneath?”
“Yes,” he said, ignoring my question, “it’s nigh onto twenty year since
Benny Russell died.”
Public-domain text, read in full here on John Shaqi.
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