The first time this happened, being new to their unconventional ways, I
explained to two girls, who approached me simultaneously, that I didn’t
know them. Whereupon, with the swift repartee for which this class is
famous, they told me that they were the Duchess of Edinburgh and the
Empress of Russia, and that they were stopping with Queen Victoria at
Buckingham Palace, and had just popped out for a breather before supper.
Of course, the right thing to do is to take these dashing meteors in
their own spirit; and when they invited me to return with them to the
palace, I explained that some other night I should be delighted to do
so, but that I was bound for Marlborough House myself on this occasion,
and already half an hour late. They appreciated the _bon mot_ and rather
took to me. Though doubtless they might have been called bad girls,
nobody would have called them bad company. They had an air of abandon
and heartiness which put you entirely at your ease with them. In fact,
when they asked me to stand them a drink, I very nearly did so; but not
quite. Instead, I left them abruptly and vanished into the night,
followed by epithets humorous in their way, but not intended for
publication.
To return to Brightwin: in due course he took me to see Mr. Bulger,
editor of _Thespis_, and I found myself confronted with a type of the
poet mind. Mr. Bulger was evidently a dreamer. His great ambition
centred upon a State theatre for England, similar to that in foreign
countries. He had very exalted opinions and an intense hatred of bad
Art. He wanted to gather round him a band of young enthusiasts who would
work for love; because, as he explained to me, the pioneer is seldom
rewarded, excepting with the laurels of fame.
“Even these,” said Mr. Bulger bitterly, “seldom encircle his own brow.
You will generally find them on the bronze or marble forehead of his
statue, long after he has vanished into the dust.”
In this high strain he talked, and I saw in a moment that I stood before
genius. His soul looked out of his eyes and made them water. His
physical frame was of no consequence, and one forgot it when he talked.
I trembled to think that this aspiring man was going to read my poem;
but he did so, and Brightwin and I sat silent and watched him. Once or
twice he nodded in a slightly approving way; and once or twice he shook
his head, and I felt the blush of shame upon my cheek.
When he had finished, he said:
“Quite excellent, Mr. Corkey; we must publish this in the paper. There
are, however, some failures of technique and a few flashes of
unconscious humour that will be better away. May I take it that you will
not mind if I edit the poem for publication?”
Little knowing what this exactly meant, I replied that it would be a
great privilege to me if he would do so.
“Good,” he said, and put my poem under a paper-weight upon his desk.
Public-domain text, read in full here on John Shaqi.
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