The second act began with religious meditations and with mantrams, which, by really pious people, must be repeated three times a day--at sunrise, at noon and at sunset. Sham Rao loudly pronounced the names of twenty-four gods, and each name was accompanied by a stroke of the bell. Having finished he first shut his eyes and stuffed his ears with cotton, then pressed his left nostril with two fingers of his left hand, and having filled his lungs with air through the right nostril, pressed the latter also. Then he tightly closed his lips, so that breathing became impossible. In this position every pious Hindu must mentally repeat a certain verse, which is called the Gayatri. These are sacred words which no Hindu will dare to pronounce aloud. Even in repeating them mentally he must take every precaution not to inhale anything impure. I am bound by my word of honor never to repeat the whole of this prayer, but I may quote a few unconnected sentences: "Om... Earth... Heaven.... Let the adored light of.... [here follows a name which must not be pronounced] shelter me. Let thy Sun, O thou only One, shelter me, the unworthy... I shut my eyes, I shut my ears, I do not breathe... in order to see, hear and breathe thee alone. Throw light upon our thoughts [again the secret name]... " It is curious to compare this Hindu prayer with the celebrated prayer of Descartes' "Meditation III" in his L'Existence de Dieu. It runs as follows, if I remember rightly: "Now I shut my eyes, cover my ears, and dismiss all my five senses, I will dwell on the thought of God alone, I will meditate on His quality and look on the beauty of this wondrous radiancy." After this prayer Sham Rao read many other prayers, holding with two fingers his sacred Brahmanical thread. After a while began the ceremony of "the washing of the gods." Taking them down from the altar, one after the other, according to their rank, Sham Rao first plunged them in the big font, in which he had just bathed himself, and then bathed them in milk in a smaller bronze font by the altar. The milk was mixed up with curds, butter, honey, and sugar, and so it cannot be said that this cleansing served its purpose. No wonder we were glad to see that the gods underwent a second bathing in the first font and then were dried with a clean towel. When the gods were arranged in their respective places, the Hindu traced on them the sectarian signs with a ring from his left hand. He used white sandal paint for the lingam and red for Gunpati and Surya. Then he sprinkled them with aromatic oils and covered them with fresh flowers. The long ceremony was finished by "the awakening of the gods." A small bell was repeatedly rung under the noses of the idols, who, as the Brahman probably supposed, all went to sleep during this tedious ceremony.