From the Heart of Israel: Jewish Tales and TypesDrachman, Bernard
General
From the Heart of Israel: Jewish Tales and Types
Drachman, Bernard
Jewish folk literature; Jewish legends; Jews -- Folklore; Jews -- Social life and customs; Tales -- Israel
A look of infinite content and gratitude lit up Isaac’s face. Then,
rising slightly on his side, he recited in Hebrew, in a clear though
feeble voice, the words of the Jewish ritual for the dying: “Hear, O
Israel, the Lord our God, the Lord is one. Blessed be the glorious name
of Thy kingdom for ever and ever. Into Thy hands I deliver my spirit.
Thou hast redeemed me, O Lord, God of truth.” And so he passed away.
Every year, on the anniversary of Isaac’s death, Alice, now a maiden
ripening into womanhood, visits Isaac’s grave in the Jewish cemetery in
Boston in which he rests; and if sincere tears and true sorrow are
acceptable in the sight of God, then is her offering indeed acceptable
and holy.
THE SCISSORS-GRINDER
“Scissors to grind! Knives, axes, or saws to sharpen! Everything made as
sharp as new!” This is the cry, uttered in a clear and cheerful voice,
which is frequently heard in the alleys and back yards as well as the
streets and avenues of that vast and densely populated section of the
American metropolis known as the great East Side. The man who utters it
is an unusually agreeable, as well as active and energetic,
representative of the classic trade of scissors-grinding. He is a
pleasant-faced, good-humored young fellow, with light-brown hair and
rounded, open countenance, from which a pair of bright blue eyes gaze at
you with a frank and sympathetic expression. His shabby clothes hang
most gracefully on his lithe and erect, not over tall figure; his
motions have a sort of trained elegance about them, and when he stands
before you with his grinding machine on his back, he seems not so much
an humble sharpener of domestic utensils, but rather some strange sort
of soldier, and the machine upon his back some peculiar and unusual
engine of warfare. He is very well liked in the entire district, and his
popularity brings in sufficient trade to insure him a very fair living.
When his clear and musical cry is heard anywhere in the neighborhood,
the customers pour forth from the many-storied tenements, the cellar
dwellings (I had almost written cave dwellings, which term would hardly
have rendered me liable to a suit for libel if I had used it), and the
little shops and stalls which abound everywhere in the vicinity. Soon he
is surrounded by a motley throng—Jews, Italians, Poles, Bohemians, men,
women, and children, all sorts and conditions of mankind—who bring him a
miscellaneous collection of invalid table knives, dilapidated carving
knives, superannuated scissors, and antediluvian saws, all of which he
is expected to heal and to restore to their pristine brightness and
sharpness.
[Illustration:
THE SCISSORS GRINDER
_Page 186_]
Public-domain text, read in full here on John Shaqi.
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