No word came to him from Anne. She was as silent as the sphinx. Not a day
passed that did not find him running eagerly,—hopefully,—through his mail,
looking for the letter he hoped for and was sure that eventually she would
write to him. But no letter came. The only news he had of her was obtained
through Simmy, who kept him acquainted with the progress of his client's
affairs, forgetting quite simply the admonition concerning secrecy.
Thorpe virtually abandoned his visits to the home of the young Tresslyns.
He had them out to dinner and the theatre occasionally. They talked quite
freely with him about the all-important topic, and seemed not to be
unhappy or unduly exercised over the step Anne had taken. In fact, George
was bursting with pride in his sister. Apparently he had no other thought
than that everything would turn out right and fair for her in the end. But
the covert, anxious, analysing look in Lutie's eyes was always present and
it was disconcerting.
He avoided the little flat in which he had spent so many happy, and in a
sense profitable hours, and they appreciated his reason for doing so. They
kept their own counsel. He had no means of knowing that Anne Thorpe's
visits were but little more frequent than his.
Anne's silence, her persistent aloofness, began to irritate him at last.
Weeks had passed since her return to the city and she had given no sign.
He had long since ceased his sly pilgrimages to the neighbourhood of
Washington Square. Now as the days grew shorter and the nights infinitely
longer, he was conscious, first, of a distinct feeling of resentment
toward her, and later on of an acute sense of uneasiness. The long, dreary
hours of darkness fed him with reflections that kept him awake most of the
night, and only his iron will held his hand and nerves steady during the
days between the black seasons. The theatre palled on him, books failed to
hold his attention, people annoyed him. He could not concentrate his
thoughts on study; his mind was forever journeying. What was she doing?
Every minute of the day he was asking that question of himself. It was in
the printed pages of the books he read; it was on the lips of every
lecturer he listened to; it was placarded on every inch of scenery in the
theatre,—always: "Where is she to-night? What is she doing?"
Public-domain text, read in full here on John Shaqi.
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