From the Land of the Snow-Pearls: Tales from Puget SoundHigginson, Ella
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From the Land of the Snow-Pearls: Tales from Puget Sound
Higginson, Ella
Puget Sound Region (Wash.) -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Oh, the _Alaskas_!” cried the girl, striking little blows of impatience
on the railing with her soft fists. “They’re so tall an’ fine-lookin’!
They’re so strong an’ grand! Look at their muscles—just like ropes! Oh,
I’ll bet on the Alaskas! I _love_ tall men!”
“Do you?” said Diller. “I’m tall.”
They looked into each other’s eyes again and laughed. Then a voice spoke
over their shoulders—a kind, patient voice. “Oh, Laviny,” it said; “I
wouldn’t bet if I was you.”
Lavinia gave a little scream. Both turned instantly. The young man who
had been watching them stood close to them. He wore working-clothes—a
flannel shirt and cheap-faded trousers and coat. He had a good, strong,
honest face, and there was a tenderness in the look he bent on the girl
that struck Diller as being almost pathetic.
The glow in Lavinia’s face turned to the scarlet of the sunset.
“_Oh!_” she said, embarrassedly. “That you, Bart? I didn’t know you was
back.”
“I just got back,” he replied, briefly. “I got to go back again in the
mornin’. I was just on my way up to your house. I guess I’ll go on. I’m
tired, an’ I’ve seen lots o’ c’noe races.” He looked at her wistfully.
“Well,” she said, after a moment’s hesitation. “You go on up, then. Maw
an’ paw’s at home, an’ I’ll come as soon ’s the race ’s over.”
“All right,” he said, with a little drop in his voice, and walked away.
“Oh, _dear_!” cried Lavinia. “We’re missin’ the start, ain’t we?”
The canoes were lying side by side, waiting for the signal. Every Indian
was bent forward, holding his paddle suspended above the water in both
hands. There was what might be termed a rigid suppleness in the attitude.
The dark outlines of the paddles showed clearly in the water, which had
turned yellow as brass. Suddenly the band ceased playing and the signal
rang across the sunset. Thirty-three paddles shot into the water, working
with the swift regularity of piston-rods in powerful engines. The crowds
cheered and yelled. The canoes did not flash or glide now, but literally
plowed and plunged through the water, which boiled and seethed behind
them in white, bubbled foam that at times completely hid the bronze
figures from sight. There was no shouting now, but tense, breathless
excitement. People clung motionless, in dangerous places and stared with
straining eyes, under bent brows, after the leaping canoes. The betting
had been high. The fierce, rhythmic strokes of the paddles made a noise
that was like the rapid pumping of a great ram. To Diller, who stood,
pale, with compressed lips, it sounded like the frantic heart-beat of a
nation in passionate riot. Mingled with it was a noise that, once heard,
cannot be forgotten—a weird, guttural chanting on one tone, that yet
seemed to hold a windy, musical note; a sound, regular, and rhythmic as
the paddle-strokes, that came from deep in the breasts of the rigidly
swaying Indians and found utterance through locked teeth.
Public-domain text, read in full here on John Shaqi.
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